The idea of forming of a number of bells a musical instrument such
as the _carillon_ is said by some to have suggested itself first to
the English and Dutch; but what we have seen in Asiatic countries
sufficiently refutes this. Moreover, not only the Romans employed
variously arranged and attuned bells, but also among the Etruscan
antiquities an instrument has been discovered which is constructed of
a number of bronze vessels placed in a row on a metal rod. Numerous
bells, varying in size and tone, have also been found in Etruscan
tombs. Among the later contrivances of this kind in European countries
the sets of bells suspended in a wooden frame, which we find in
mediæval illuminations, deserve notice. In the British museum is a
manuscript of the fourteenth century in which king David is depicted
holding in each hand a hammer with which he strikes upon bells of
different dimensions, suspended on a wooden stand.
It may be supposed that the device of playing tunes by means of bells
merely swung by the hand is also of ancient date. In Lancashire each
of the ringers manages two bells, holding one in either hand. Thus, an
assemblage of seven ringers insures fourteen different tones; and as
each ringer may change his two notes by substituting two other bells if
required, even compositions with various modulations, and of a somewhat
intricate character, may be executed,--provided the ringers are good
timeists; for each has, of course, to take care to fall in with his
note, just as a member of the Russian horn band contributes his single
note whenever it occurs.
Peal-ringing is another pastime of the kind which may be regarded as
pre-eminently national to England. The bells constituting a peal are
frequently of the number of eight, attuned to the diatonic scale. Also
peals of ten bells, and even of twelve, are occasionally formed. A
peculiar feature of peal-ringing is that the bells, which are provided
with clappers, are generally swung so forcibly as to raise the mouth
completely upwards. The largest peal, and one of the finest, is at
Exeter cathedral: another celebrated one is that of St. Margaret’s,
Leicester, which consists of ten bells. Peal-ringing is of an early
date in England; Egelric, abbot of Croyland, is recorded to have cast
about the year 960 a set of six bells.
Public-domain text, read in full here on John Shaqi.
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