Musical Instruments, Historic, Rare and UniqueHipkins, Alfred J. (Alfred James)
History
Musical Instruments, Historic, Rare and Unique
Hipkins, Alfred J. (Alfred James)
Musical instruments
The Siamisen is employed
to accompany the dancing and singing women, and its tones are an
important aid to the effect of their performance.
The plectrum of the Siamisen is called in Japanese Batsi. It is shown
in the plate.
The Kokiu is a kind of fiddle, in its construction very like the
Siamisen, only that it is played with a bow (kiu) instead of a
plectrum or striker (batsi). It is usually a woman's instrument, but
is now very little played. Dr. Müller only heard one player in Tokio,
a blind man, from whom he took his description of the instrument and
the manner of performance. The whole length of the Kokiu is about 25
inches, the body being 5 inches long and broad. It is 2-1/2 inches
deep and covered like the Siamisen. Instead of the string-holder of
the latter it has a 2-1/2 inch long round metal slip to which the
strings are knotted. The bridge is long and very low, with notches
to receive the strings; three being equally spaced, while the fourth
is very near the third. The strings are tuned [Music], the two near
each other being unisons of the highest note. The bow is 45 inches
long, of four lengths as already mentioned. It takes to pieces for
transport. It is flat behind and oval in front. It is bent at the top
nearly to a right angle, and the whole rod is very elastic. It is
strung with white horsehair about 32 inches long, the horsehair being
imported, as there is no long horsehair in Japan. It is fastened with
a silken knot into a silver holder. In order to play the Kokiu the
bow is taken with the thumb, middle, and little fingers, the index
finger being extended along the back. With stretched-out fourth
finger the player strains the slack hair of the bow, then takes up
the instrument, vertically resting it upon the knees, between which
the metal string-holder is grasped. Bringing the hair of the bow to
the edge of the resonance body, the bow is simply moved horizontally
backwards and forwards, the middle part of the bowstring only being
employed. The strings are brought into contact with the bow by a
rotary movement of the instrument. Sometimes only one E flat string
is used, sometimes both. Double notes are very rarely used. The sound
of the Kokiu is very like that of the Hurdy-Gurdy, but much weaker in
comparison.
The Biwa is a lute-like instrument in the shape of a divided pear,
becoming narrower upwards. The body is about 34 inches long, of
which 7-1/2 come on to the finger-board. There are four frets on the
finger-board. It has four strings in two thicknesses tuned, according
to Dr. Müller, prime, quint, octave, tenth, like an infantry bugle,
but Dr. Isawa gives no less than six accordances. The Biwa is played
with a bill-formed batsi 6-1/2 inches long, made of horn, wood,
tortoiseshell, or ivory.
[Illustration: XLVIII]
PLATE XLVIII.
MARIMBA, OF SOUTH AFRICA.
Public-domain text, read in full here on John Shaqi.
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