Music -- History and criticism; Musicians -- Biography; Saint-Saëns, Camille, 1835-1921
It is not worth while telling how the Tsar took lessons on the flute
from a young pastry cook who came on the stage with a basket of cakes on
his head; how the cook later became a lord, and many other details of
this absurd play. It is permitted to be absurd on the stage, if it is
done so that the absurdity is forgotten. But in this instance it was
impossible to forget the absurdities. The extravagance of the libretto
led the musician into many unfortunate things. This extremely
interesting score is very uneven, but there are a thousand details worth
the attention of the professional musician. Beauty even appears in the
score at moments, and there are charming and picturesque bits, as well
as puerilities and shocking vulgarities.
Public curiosity was aroused for a long time by clever advance notices
and had reached a high pitch when _L'Etoile du Nord_ appeared. The work
was carried by the exceptional talents of Bataille and Caroline Duprez
and was enormously successful at the start, but this success has grown
steadily less. Faure and Madame Patti gave some fine performances in
London. We shall probably never see their equal again, and it is not
desirable that we should either from the standpoint of art or of the
author.
_Les Huguenots_ was not an opera pieced together out of others, but it
did not reach the public as the author wrote it. At the beginning of the
first act there was a game of cup and ball on which the author had set
his heart. But the balls had to strike at the exact moment indicated in
the score and the players never succeeded in accomplishing that. The
passage had to be suppressed but it is preserved in the library at the
Opera. They also had to suppress the part of Catherine de Medici who
should preside at the conference where the massacre of St. Bartholomew
was planned. Her part was merged with that of St. Pris. They also
suppressed the first scene in the last act, where Raoul, disheveled and
covered with blood, interrupted the ball and upset the merriment by
announcing the massacre to the astonished dancers.
Public-domain text, read in full here on John Shaqi.
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