Musical Myths and Facts, Volume 1 (of 2)Engel, Carl
History
Musical Myths and Facts, Volume 1 (of 2)
Engel, Carl
Music -- History and criticism
"When the orchestra had played the introductory Tutti, and I had to
begin the Solo,--suddenly it becomes misty before my eyes, my whole
body trembles, I cannot see the notes clearly, cannot command my
fingers, cannot manage the bow. We begin again, and a third time; but it
is not much better, although we make some progress. By degrees I become
more collected; still my playing remains a wretched attempt to the end,
provoking the suppressed and loud laughter of the musicians. None of the
somewhat difficult passages, which I knew by heart, could I play. I am
not a _virtuoso_ on the violin; but if one has attained a certain
dexterity, one must be able to play those pieces which one has properly
learnt. Thus this rehearsal enriched my psychology, inasmuch as it
served me as an example for the proposition:--It is very difficult, if
not impossible, to appear in later years before the public in a capacity
in which one has not appeared in early youth. The fear for the teacher
suppresses in youth the shyness for the public, and accustoms us to
resist it, and not allow it to become an obstacle. The fear for the
teacher is a support which later we miss, while the shyness which
overcomes us is all the stronger since we have learnt the value of the
opinion which formerly concentrated only in the teacher, and with which
we were well acquainted beforehand. While as a singer and a declamator I
feel the most at my ease when I appear before a large audience, at the
rehearsal, in the presence of an orchestra only, I could not play a
violin concerto, merely because the former I have done in public from
early youth, and this never before."
The proceeds of his concerts he divided into two equal portions, one of
which he regularly forwarded after the concert to the relief fund for
the wounded soldiers, retaining the other half to defray his travelling
expenses. But his concerts were often so thinly attended that they
realized no proceeds to divide, and hardly sufficient means for his
subsistence. He feared to come into suspicion of having appropriated to
himself more than his due; and he felt vexed at the implications which
he sometimes thought he detected in the remarks of strangers, intimating
that the wounded soldiers were of more use to him than he to them.
Public-domain text, read in full here on John Shaqi.
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