Musical Myths and Facts, Volume 1 (of 2)Engel, Carl
History
Musical Myths and Facts, Volume 1 (of 2)
Engel, Carl
Music -- History and criticism
MACRUIMEAN'S BAGPIPE.
There is in Scotland a family of hereditary bagpipers whose name is
Macruimean (or M'Crimmon). Now, it is well known how it came to pass
that the famous bagpiper, Macruimean, got his fine music. He was
ploughing one day near a haunted hill, when one of the "Little Folks," a
tiny green man, came up and invited him into the mountain. After they
had entered a cave, the tiny green man gave Macruimean an exquisitely
fine bagpipe, and told him that so long as any part of the instrument
remained, either with him or with his offspring they would continue to
be the best bagpipers in Scotland. When the lucky Macruimean had arrived
with his bagpipe at his house, he found to his surprise that he could
play upon it beautifully any tune which occurred to his mind. Indeed,
his performance was so powerful and impressive that it astonished every
one; and the people in the Highlands have still the saying, _Co ard ri
Piob mhoir Mic-Chruimean_,--("_As loud as Macruimean's pipes._")
There is also still in the Highlands a cave called _Uamh na'm
Piobairean_--_i.e._, "The Piper's Cave," into which the famous
Macruimean with his children used to repair to practise the bagpipe.
This cave is on the top of a brae, or rising ground, eight miles north
from Dunvegan Castle. Even his daughters, people say, would occasionally
steal to the cave, if they could lay hold on their father's favourite
set of pipes, and indulge in a vigorous practice for an hour or so.
Moreover, at what time the Macruimean family was first established as
the hereditary bagpipers of the Lairds of MacLeod, no one can say now;
for it was so very long ago.[69]
THE GYGUR FAMILY.
As regards giants, there are now-a-days only very few remaining in
European countries. Formerly, it would appear, they were abundant, and
many traces of their habitations and doings are still pointed out by the
people. However, respecting the capacity of the giants for music, but
little is recorded. Jacob Grimm alludes to the charming musical powers
of Gygur, a Scandinavian giantess and sorceress, and he thinks it likely
that an old German name for the violin, which is _Geige_, was derived
from Gygur.[70] If this be so, the French _Gigue_ and the English _Jig_
may be supposed likewise to have their origin from the name of that
mysterious monster. There was evidently in olden time a whole Gygur
family; but it is very doubtful whether any of its members are still
extant. If there are yet any to be found, it must be up in the North,
perhaps in Norway, Sweden, or Iceland; at any rate, the people in these
countries still speak occasionally of their old giants, or trolls as
they are also called.
LINUS, THE KING'S SON.
Public-domain text, read in full here on John Shaqi.
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