Musical Myths and Facts, Volume 1 (of 2)Engel, Carl
History
Musical Myths and Facts, Volume 1 (of 2)
Engel, Carl
Music -- History and criticism
Volume IV. bears the title: 'Sovter Liedekens, I. Het vierde musyck
boexken mit dry Parthien, waer inne begrepen syn die Ierste XLI.
psalmen van Dauid, Gecomponeert by Jacobus Clement non papa, den Tenor
altyt houdende die voise van gemeyne bekende liedekens; Seer lustich om
singen ter eeren Gods. Gedruckt Tantwerpen by Tielman Susato wonende
voer die Nyeuwe waghe Inden Cromhorn. Anno 1556.' ("Sweet Songs, I. The
fourth music book, in three parts, wherein are contained the first 41
Psalms of David, composed by Jacobus Clement non papa, the Tenor always
having the air of commonly-known songs; very pleasant to sing to the
honour of God. Printed at Antwerp, by Tielman Susato, dwelling in the
Cromhorn over against the New Weighing house, anno 1556.") The other
volumes likewise contain psalms with secular tunes arranged in the same
way. Clement was a celebrated musical composer, who obtained the
addition of _non papa_ to his name, to guard against the possibility of
his being mistaken for Pope Clement VII. his contemporary. The secular
song from the air of which the three-part music has been constructed, is
always indicated in the heading, by the first line of the secular song.
For instance: 'Den eersten Psalm, _Beatus vir qui non_, etc.; Nae die
wyse, _Het was een clercxken dat ginck ter scholen_.' ("To the air: He
was a little scholar who went to school.") 'Den XVIII. Psalm; Nae die
wyse, _Ick had een ghestadich minneken_.' ("To the air: I had a stately
sweet-heart.")
Moreover, not only secular music, but also sometimes the poetry of a
popular secular song, was altered for sacred use. H. Knaust published,
in the year 1571, in Frankfurt: 'Gassenhawer, Reuter vnd Berglidlin
Christlich moraliter vnnd sittlich verendert,' etc. ("Low Street Songs,
Soldiers' and Miners' Songs, altered into Christian and moral Songs.")
No sect probably has been more extraordinary in the adoption of secular
tunes than the Muggletonians in England. Lodowicke Muggleton and John
Reeve founded this sect, in the year 1651. Macaulay, in his History of
England, (London, 1854, Vol. I., Chap. 2) notices the former in terms by
no means complimentary. He says: "A mad tailor, named Lodowicke
Muggleton, wandered from pothouse to pothouse, tippling ale, and
denouncing eternal torments against those who refused to believe, on
his testimony, that the Supreme Being was only six feet high, and that
the sun was just four miles from the earth." In the year 1829 Joseph and
Isaac Frost published in London 'Divine Songs of the Muggletonians, in
grateful praise to the Only True God the Lord Jesus Christ.' Many of the
hymns are written to secular tunes, such as--_By a prattling stream on a
midsummer's eve_;--_When I spent all my money I gained in the
wars_;--_Cupid, god of soft persuasions_;--_Dear Cloe, come give me
sweet kisses_; etc. The following commencements of a few of the hymns
will suffice to show their character:--
SONG VI.
Public-domain text, read in full here on John Shaqi.
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