Musical Myths and Facts, Volume 1 (of 2)Engel, Carl
History
Musical Myths and Facts, Volume 1 (of 2)
Engel, Carl
Music -- History and criticism
The country-lasses in Sweden count the cuckoo's call to ascertain how
many years they have still to remain unmarried; but they generally shut
their ears and run away when they have heard it a few times. Should a
girl hear it oftener than ten times, she will declare rather vexedly
that she is not superstitious, and that she has not the least faith in
the cuckoo's call.
WHISTLING.
"Why! he makes music with his mouth!" exclaimed a native of Burmah when
he observed an American missionary whistling; and the missionary noted
down the words in his journal, with the reflection: "It is remarkable
that the Burmese are entirely ignorant of whistling."[23] But may not
the simple-minded Asiatic only have been astonished in observing what he
thought unbecoming in a gentleman who had come to Burmah to teach a new
religion?
The Arabs generally disapprove of whistling, called by them _el sifr_.
Some maintain that the whistler's mouth is not to be purified for forty
days; while others are of opinion that Satan touching a man's person
causes him to produce the offensive sound.[24]
The natives of the Tonga Islands, Polynesia, consider it wrong to
whistle, as being disrespectful to their gods.[25]
In European countries people are met with who object to whistling on a
certain day of the week, or at certain times of the day. The villagers
in some districts of North Germany have the saying, that if one whistles
in the evening it makes the angels weep. The villagers in Iceland say
that even if one swings about him a stick, whip, wand, or aught that
makes a whistling sound, he scares from him the Holy Ghost; while other
Icelanders, who consider themselves free from superstitions, cautiously
give the advice: "Do it not; for who knoweth what is in the air?"[26]
There seem to have been, however, in all ages light-hearted persons who,
defying the superstitious views of their compatriots, have whistled to
their heart's content, or for the amusement of those who set at nought
popular prejudices.
Joseph Strutt, in his 'Sports and Pastimes of the People of England'
records the astonishing performance of a whistler who, assuming the name
of Rossignol, exhibited at the end of the last century his talent on the
stage of Covent Garden Theatre. Again, an amusing account is given in
the 'Spectator' (Vol. VIII., No. 570) of a skilful whistler, who was the
host of the tavern especially patronised by Addison and Steele; and the
writer concludes his description of the host's surprising talent by
recommending his readers to repair to the tavern and to order a bottle
of wine for the sake of the whistling.
Public-domain text, read in full here on John Shaqi.
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