Musical Myths and Facts, Volume 2 (of 2)Engel, Carl
History
Musical Myths and Facts, Volume 2 (of 2)
Engel, Carl
Music -- History and criticism
When Bakala had come down from the mountain he engaged himself as
shepherd to a village Pope in the valley. Every day he led the sheep
into the fields, and blowing his bagpipe he made them caper and jump
into the air like grasshoppers. And when, one morning, his master had
sneaked out before him into the fields, and had hid himself in some
bushes of sloes and dog-roses to watch his servant's strange
proceedings, Bakala made the Pope dance as well as his flock.
The Pope was a soft-hearted sort of man. Quietness he loved above all
things in the world; for its sake no sacrifice appeared to him too
great. As to his wife, she was of a different disposition. To say the
truth, she was just the reverse of her husband. She had more courage in
her little finger than he had in all his limbs. His _Yes_ was her _No_,
and when he called a thing white she was sure to declare that she had
long since found it to be very black indeed. Neither would she believe
in the power of Bakala's bagpipe. When the poor Pope, after his return
from the sloes and dog-roses, showed her his tattered clothes and
scratched limbs, all the sympathy he got from her was, "Tush! tush!
nonsense! If I were as soft-hearted as some people are said to be, I
might perhaps pity you."
"Well, my dear," replied the cowed husband, "you shall hear him
to-night. I want to convince you"----
"Convince me?" cried the Pope's wife: "Fudge! I to be frightened by a
bagpipe? Let him come on!"
Then the Pope thought that it was time to withdraw for the sake of
quietness. But in the evening he took Bakala aside, and desired him
just to serenade their mistress for a little while under the window.
Before Bakala commenced playing the Pope sat down on the ground and
bound two heavy stones to his feet by way of precaution, while his wife
busied herself in the upper story of the house. No sooner had Bakala
begun his performance than she danced so furiously that she made the
whole house shake. Bakala played faster and faster; her stamping grew
louder and louder. She danced until she had actually stamped a hole in
the floor, through which she descended into the lower story. The Pope
peeped into the room; and when he saw what had happened he felt sorry,
and he beckoned Bakala to leave off playing. But, alas! he beckoned too
late! The poor lady had danced herself to death.
Now, one might have thought the Pope would have dismissed Bakala,
telling him that his services were not any further required. But this is
just precisely what he did not do. On the contrary, he kept Bakala in
his service, and treated him even better than before.[75]
THE TWO HUNCHBACKS.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account