Musical Myths and Facts, Volume 2 (of 2)Engel, Carl
History
Musical Myths and Facts, Volume 2 (of 2)
Engel, Carl
Music -- History and criticism
Christianity into | | and musician. In his writings
Ireland by St. | | he endeavours to reconcile the musical
Patrick (110). | | theories of Pythagoras and
| | Aristoxenus. He reduces the fifteen
| | Modes of the Greeks to seven.
Fingal (Ossian) in | 200 |
Scotland (200). | |
Persecutions of | | From about the year 150 to 200,
the Christians | | above a dozen authors are known in
during the third | | whose works some account is given of
century. | | the music of the ancients.
Artaxerxes, king | |
of Persia, conquers | |
the Parthians, & | |
founds | |
the dynasty of | |
the Sassanidae | |
(226). | |
Probus, Roman | 250 | The Fathers of the Church who give
Emperor, | | the first account of the sacred songs
causes the vine | | of the early Christians are
to be planted | | Tertullian, Clemens of Alexandria,
on the banks | | and Origen. Their writings date from
of the Rhine | | the first half of the third century.
and the Moselle | | The Christian communities had already
(276). | | during the first century in their
| | religious observances, which in the
| | beginning were held secretly, hymns
| | sung alternately by a single voice
| | and a chorus in unison. The melodies
| | of the hymns were probably similar
| | to those of the Greeks. At all
| | events, the Modes in which they
| | were sung, and the notation by letters
| | of the alphabet, had been derived from
| | the Greeks.
| |
Constantine, Emperor, | 330 | Silvester I., Pope, institutes in
is converted | | Rome the first school for Church-song.
to Christianity, | |
and | |
transfers the | |
seat of his empire | |
from Rome | |
to Byzantine, | |
henceforth | |
called Constantinople | |
(330). | |
| |
Division of the | 350 | Damasus, Bishop of Rome, born at
Roman Empire | | Madrid in the year 314, introduces in
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account