Musical Myths and Facts, Volume 2 (of 2)Engel, Carl
History
Musical Myths and Facts, Volume 2 (of 2)
Engel, Carl
Music -- History and criticism
For the sake of truth some business letters written by distinguished
German composers to English publishers must be noticed here, although
they redound to the honour of the writers as little as do some of the
letters of the German publishers just cited. Not that they reveal a
deficiency in common sense as regards business transactions; they
exhibit the writers as rather too practical. Among the letters which the
music-seller W. Forster, in London, received from Haydn, with whom he
kept up a correspondence about the purchase of manuscripts for
publication in England, the following, which was originally written in
German, is selected as a characteristic specimen. It dates from the year
1788, and was published by S. A. Forster, a son of the music-seller, in
his account of the correspondence which his father had with Haydn.
"My dear Mr. Forster,
Do not be annoyed with me that on my account you have had trouble
with Mr. Longman. I will satisfy you another time on that point. It
is not my fault, but that of the usurer Artaria. So much I promise
you that so long as I live, neither Artaria nor Longman shall
receive anything from me or through me. I am too honourable and
upright to annoy or injure you. So much, however, you will yourself
plainly understand that whoever will have six new pieces from me
must give me more than twenty guineas. I did, in fact, some time
ago conclude a contract with somebody who pays me for every six
pieces one hundred guineas and more. Another time I will write you
more; meanwhile I am with all respect,
Your obedient servant,
JOSEPH HAYDN."
Still less creditable to the writer are the following extracts from
letters addressed by Beethoven to the publisher, R. Birchall, of London,
who had bought the copyright for Great Britain and Ireland of four
works by Beethoven, viz.:--The pianoforte arrangement of the Battle
Symphony, Op. 91; the pianoforte arrangement of the A major Symphony,
Op. 92; the Sonata for pianoforte and violin in G major, Op. 96; and the
B-flat major Trio for pianoforte, violin, and violoncello, Op. 97. The
letters were originally written in English. They are too long for entire
insertion here. To render the extracts fully comprehensible, it is
necessary to state that Beethoven, after having received from Birchall
the sum agreed upon for those works, unexpectedly demanded five pounds
for the copying and postage of them; and when Birchall had shown him so
much consideration as to satisfy him also on this point, Beethoven wrote
to him as follows:--
"Vienna, October 1st, 1816.
"My dear Sir,
Public-domain text, read in full here on John Shaqi.
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