Musical Myths and Facts, Volume 2 (of 2)Engel, Carl
History
Musical Myths and Facts, Volume 2 (of 2)
Engel, Carl
Music -- History and criticism
The Tigretiya of Abyssinia is in some respects similar to the Tarantism;
it is, however, not caused by the bite, or sting, of any animal. The
Tigretiya has its name from occurring principally in the Abyssinian
district called Tigre. It is a kind of melancholy, the first symptoms
of which usually are a gradual wasting away of the attacked person.
Music and dancing are used as the most effective remedies for healing
the sufferer.
A strange illness of the natives of Madagascar is described by the
Missionary W. Ellis as "an intermittent disorder, with periods of
delirium, a species of hysteria readily infectious." The sufferers
perambulate in groups, singing, dancing, and running, accompanied by
their friends, who carry bottles of water for them, as they generally
complain of thirst,--which is not surprising, considering the state of
excitement to which they work themselves up. Their whims being
encouraged by the people, must rather impede the beneficial result which
they might derive from singing and dancing, as far as concerns the
restoration to a sound state of health. Their morbid affection of the
nervous system is, however, especially interesting if compared with a
similar derangement in European countries during the Middle Ages, of
which some account shall presently be given.
The exercise of dancing to the sound of cheerful music is universally
known to be, under certain circumstances conducive to the preservation
of health. Thus, the traveller, H. Salt, relates that the Negro slaves
in Mozambique "assembled in the evening to dance, according to the usual
practice, for keeping them in health."[66] The same means were formerly
resorted to by slave-owners in America. Likewise, during a voyage to the
Arctic Sea, it has been found useful to order the sailors occasionally
to dance on deck to the music of a barrel-organ, to keep them in health
and good spirits.
Public-domain text, read in full here on John Shaqi.
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