Musical Myths and Facts, Volume 2 (of 2)Engel, Carl
History
Musical Myths and Facts, Volume 2 (of 2)
Engel, Carl
Music -- History and criticism
Pianoforte playing our medical adviser considers rather hurtful to
health. The exertion of the hands and arms, while the position of the
body remains nearly immovable, causes a stronger flow of blood to the
chest than is natural. The pressure of the points of the fingers, where
the nerves are especially sensitive, is apt to be injurious to the
nervous system. This is still more the case in practising on
instruments on which the strings are pressed down with the points of the
fingers, as for instance on the violin; and also, though in a less
degree, on instruments the strings of which are twanged with the
fingers, as they are on the harp. The practice, however, causes the skin
at the finger-ends to harden, and the touch becomes consequently less
sensitive. Decidedly hurtful to the nerves is the sensation produced by
the friction of the moistened fingers in playing the glass-harmonica and
similar instruments. Among the wind instruments blown by being placed to
the mouth, those which require a sudden and prolonged retardation of the
breath, or a forcible compression of the air in the lungs, are
especially liable, by constant practice, to prove injurious to health.
The author has much to say on this subject, and he particularly warns
against too continuous playing on the oboe, trumpet, horn, trombone, and
serpent. As regards the clarionet, its practice, he says, is likely to
be injurious on account of the quantity of air which it requires. The
player is often compelled to take a deeper inspiration than is natural,
and constantly to pay regard to being provided with a supply of air
compressed in his lungs. Furthermore, considering that musical
performances very frequently take place in artificial light, the
eyesight of the musician is apt to be disadvantageously affected. In
this respect also the playing on some instruments is more injurious than
on others. The Double Bass player, for instance, is compelled, from the
size of his instrument, to have the musical notation placed at a greater
distance before him than is naturally convenient for his sight, which
renders it necessary for him to exert his eyes in an extraordinary
degree. Thus much from Sundelin's 'Medical Adviser,' to which the
following remarks may be added.
Public-domain text, read in full here on John Shaqi.
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