Musical Myths and Facts, Volume 2 (of 2)Engel, Carl
History
Musical Myths and Facts, Volume 2 (of 2)
Engel, Carl
Music -- History and criticism
The following popular stories, like those which have previously been
given in this work, are told exactly as they are heard from the mouth of
the people. It is necessary that this should be mentioned by way of
introduction to the stories, because the degree of interest which they
may possess depends almost entirely upon the faithfulness with which
they are recorded. For the same reason it must be stated that, although
additions have been carefully avoided, it is otherwise with omissions,
since it appeared desirable to abridge several of the stories by
excluding passages which do not touch upon the subject of music. Should
the reader find among the stories an old acquaintance with a somewhat
different face than is familiar to him, he will, it is hoped, bear in
mind that, just as there are varieties of a popular tune to be found in
different districts of a country, so there are also different readings
of a popular tale. Even the degree of education attained by the
narrator, his personal character, and his peculiar views, will tend in
some measure to modify the features of a story, although nothing
extraneous may have been admitted into the incidents recorded.
THE ROYAL MUSIC-MASTER.
The modern Greeks have a long story, said to have been derived from Asia
Minor, the substance of which is as follows:--
A mighty king in a distant land had a son who was an excellent flute
player, but a bashful youth, and a woman-hater. The king, considering it
all-important that his dynasty should be preserved, sends the young
prince in a ship to a foreign court, to find, if possible, among the
princesses a wife to his liking. The ship is wrecked, and all on board
are drowned except the prince, who is thrown by the waves upon the shore
of a beautiful island. Having dried himself, he meets a poor fisherman,
with whom he changes clothes. Hiding his luxuriant hair under a
bladder-cap, he sets out to the residence of the king of the island,
into whose service he is taken by the master of the horse as a
stable-boy. His chief occupation now is to fetch water for the horses
from a spring in the garden of the palace. In the evening, when he is
alone in the garden, he plays upon his flute so enchantingly that even
the nightingales become silent in admiration. The King's daughter hears
him, comes down into the garden, and, with the consent of her father,
makes him her music-master. When he perceives that she really loves him,
he loves her too, discloses to her that he is a King's son, and soon
makes her his queen in his own dominions.[67]
THE HANDSOME MINSTREL.
The following story is told in Germany:--
Public-domain text, read in full here on John Shaqi.
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