Musical Portraits : Interpretations of Twenty Modern ComposersRosenfeld, Paul
History
Musical Portraits : Interpretations of Twenty Modern Composers
Rosenfeld, Paul
Composers; Music -- 19th century -- History and criticism; Music -- 20th century -- History and criticism
Such a discovery of nature was necessarily a part of his
self-revelation. For Sibelius is essentially the Norseman. For all his
personal accomplishment, his cultural position, he is still the Finnish
peasant, preserving intact within himself the racial inheritance. Other
musicians, having found life still a grim brief welter of bloody combats
and the straining of high, unyielding hearts and the falling of sure
inalienable doom, have fancied themselves the successors of the Skalds,
and dreamt themselves within the gray primeval North. But, in the
presence of Sibelius, they seem only too evidently men of a gentler,
later generation. Beside his, their music appears swathed in romantic
glamour. For there are times when he comes into the concert-room like
some man of a former age, like some spare, knotted barbarian from the
world of the sagas. There are times when he comes amongst us like one
who might quite conceivably have been comrade to pelted warriors who
fought with clubs and hammers, like one who might have beaten out a
rude music by black, smoking hearthsides quite as readily as made
tone-poems for the modern concert-room. And his music with its viking
blows and wild, crying accents, its harsh and uncouth speech, sets us
without circumstance in that sunken world, sets us in the very midst of
the stark men and grave, savage women for whom the sagas were made, so
that we can see them in all their hurtling strength and rank barbarity,
can well-nigh touch them with the fingers of our hands. And because
Sibelius is so fundamentally man as combat with the North has made him,
only vision of his native earth could bring him rich self-consciousness.
For his individuality is but the shape of soul given his race by its
century-long adjustment. It is the North that has given him his profound
experience. Its rhythms have distinguished him. Its color, and the color
of his spirit, are twin. And so he turns toward it as to a mirror. Like
that of the hero of his tone-poem, his life is a long journey toward
Finland. Contact with Finnish earth gives him back into his own hands.
It is the North, the wind and the moorland and the sea, that gathers the
fragments of his broken soul, and makes him whole again.
Public-domain text, read in full here on John Shaqi.
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