"Serenade for Wind Instruments," Opus 7, 1882-83; "Eight Songs," Opus 10, 1882-83; "Aus Italien," Opus 16, 1886; "Don Juan," Opus 20, 1888; "Tod und Verklaerung," Opus 24, 1889; "Four Songs," Opus 27, 1892-93; "Till Eulenspiegel's Lustige Streiche," Opus 28, 1894-95; "Three Songs," Opus 29, 1894-95; "Also Sprach Zarathustra," Opus 30, 1894-95; "Don Quixote," Opus 35, 1897; "Ein Heldenleben," Opus 40, 1898; "Feuersnot," Opus 50, 1900-01; "Taillefer," Opus 52, 1903; "Sinfonia Domestica," Opus 53, 1903; "Salome," Opus 54, 1904-05; "Elektra," Opus 58, 1906-08; "Der Rosenkavalier," Opus 59, 1909-10; "Ariadne auf Naxos," Opus 60, 1911-12; "Josef's Legende," 1913; "Eine Alpensymphonie," 1914-15; "Die Frau ohne Schatten," 1915-17. MOUSSORGSKY Modest Petrovitch Moussorgsky was born March 16th, 1839, in the village of Karevo in the government of Pskow, Russia. His parents were members of the lesser nobility. His mother gave him his first piano lessons. At the age of ten he was sent to the School of St. Peter and St. Paul in Petrograd. His piano-studies were continued with a certain Professor Herke. At the age of twelve he played in public a _Rondo de concert_ by Herz. In 1852 he matriculated at the school for ensigns, and the same year had his first composition, a polka, published. In 1856, while serving as an officer in the Preobrajensky Guards, he made the acquaintance of Borodin. Soon after, he met Dargomyjski. It was with him that, in his own words, "he for the first time lived the musical life." Later, he became acquainted also with Cui, Balakirew and Rimsky-Korsakoff. He took lessons in composition of Balakirew, and finally realized what his direction really was. A nervous malady prevented him from working in 1859. But directly after his convalescence, he resigned from the guards, and set to work in earnest. In order to support himself, he accepted a position in the government service. He lived in Petrograd with five friends. In 1865 he was once more attacked by his malady, and had to retire to the country for three years. In 1869 he returned to Petrograd, living with his friends the Opotchinines. His moment of success came in 1874, with the performance of "Boris." Directly after, his health commenced to fail. In 1879 he resigned his office, and sought to support himself by playing accompaniments. He died in 1881 in a military hospital. The dates of composition of his principal works are: "Boris Godounow," 1868-71; "Khovanchtchina," 1872-81; "The Marriage" (one act), 1868; "The Fair at Sorotchinsk" (fragment), 1877-81; "The Defeat of Sennacherib," 1867-74; "Jesus Navine," 1877; "Sans Soleil," 1874; "La Chambre d'Enfants," 1874; "Chants et Danses de la Mort," 1875; "Marcia all Turka," 1880; "La Nuit sur le Mont-Chauve," 1867-75; "Tableaux d'une Exposition," 1874; "Hopak," 1877. LISZT