With words of compliment and solicitation, the black-dressed assistant
displayed the armouries of Venus--armouries filled with the deep blue of
midnight, with the faint tints of dawn, with strange flowers and birds,
with moths, and moons, and stars. Lengths of white silk clear as the
notes of violins playing in a minor key; white poplin falling into folds
statuesque as the bass of a fugue by Bach; yards of ruby velvet, rich as
an air from Verdi played on the piano; tender green velvet, pastoral as
hautboys heard beneath trees in a fair Arcadian vale; blue turquoise
faille fanciful as the tinkling of a guitar twanged by a Watteau
shepherd; gold brocade, sumptuous as organ tones swelling through the
jewelled twilight of a nave; scarves and trains of midnight-blue
profound as the harmonic snoring of a bassoon; golden daffodils violent
as the sound of a cornet; bouquets of pink roses and daisies, charmful
and pure as the notes of a flute; white faille, soft draperies of tulle,
garlands of white lilac, sprays of white heather, delicate and resonant
as the treble voices of children singing carols in dewy English woods;
berthas, flounces, plumes, stomachers, lappets, veils, frivolous as the
strains of a German waltz played on Liddell's band.
An hour passed, but the difficulty of deciding if Olive's dress should
be composed of silk or Irish poplin was very great, for, determined that
all should be humiliated, Mrs. Barton laid her plans amid designs for
night and morning; birds fluttering through leafy trees, birds drowsing
on bending boughs, and butterflies folding their wings. At a critical
moment, however, an assistant announced that Mrs. Scully was waiting.
The ladies started; desperate effort was made; rosy clouds and veils of
silver tissue were spoken of; but nothing could be settled, and on the
staircase the ladies had to squeeze into a corner to allow Violet and
Mrs. Scully to pass.
'How do you do, Olive? How do you do, Alice? and you, Mrs. Barton, how
do you do? And what are you going to wear? Have you decided on your
dress?'
'Oh! That is a secret that could be told to no one; oh, not for worlds!'
said Mrs. Barton.
'I'm sure it will be very beautiful,' replied Mrs. Scully, with just a
reminiscence of the politeness of the Galway grocery business in her
voice.
'I hear you have taken a house in Fitzwilliam Square for the season?'
said Mrs. Barton.
'Yes, we are very comfortable; you must come and see us. You are at the
Shelbourne, I believe?'
'Come to tea with us,' cried Violet. 'We are always at home about five.'
'We shall be delighted,' returned Mrs. Barton.
Mrs. Scully's acquaintance with Mrs. Symond was of the slightest; but,
knowing that claims to fashion in Dublin are judged by the intimacy you
affect with the dressmaker, she shook her warmly by the hand, and
addressed her as dear Mrs. Symond. To the Christian name of Helen none
less than a Countess dare to aspire.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account