My Actor-Husband: A true story of American stage lifeAnonymous
General
My Actor-Husband: A true story of American stage life
Anonymous
Actors -- Fiction; Married people -- Fiction; Theater -- Moral and ethical aspects -- Fiction
The path led on and up through thorny underbrush; a parched earth; the
cactus plant; some blanched bones, a horned toad. He stood apart with
sullen mien; his features thick and brutalized; his muscles lax and
loose, as if impotent rage had yielded to dumb apathy. The woman, lying
prone, distorted with revolt and fright, seeking to shut out from view
the hideous deformity at her breast--half man, half beast; its clenched
fists, contorted legs raised to rebel; the grotesque mask miming its own
despair. And in the background, poised on abyss-edge, a Hecate band
whirled in orgy-dance.... Where is the tutelary goddess now--the Better
Self, the Soul of Things? And even as I asked I followed in the path
which, still inclining, reached a broad plateau. In the foreground, the
man--gaunt and grim--the grimness of despair; his muscles knotted, his
horny hands, the poised axe. Through the matted woods a skulking
wolf.... Beyond, the woman; haggard of face, drawn with fatigue; no
longer full and round of form. Dropping seeds on fresh-tilled earth; a
living burden on her back; around her neck two chubby arms. And at the
entrance to the cave, half blended with the rocks, the Inscrutable One
stood guard.... "The Will to Live" was written here....
The path winds on, steeper, more tortuous still; by cliffs, abyss,
_impasse_, bald peaks, the Mount is reached ... and here they rest....
Like complements they stand, hand clasping hand, looking out and beyond;
serene of brow, though scarred with age. An august peace, the harvest
yield. A straight firm youth hangs on his mother's arm ... and in that
life is blent the best of both--the purpose of the race. The mantle of
the clouds half moulds a form; the hands reach forth to stroke their
eyes.... It is _the awakening_....
CHAPTER XV
When Experience came in some time later, bringing a cup of chicken
broth, she found me at my writing desk. Commenting on my flushed cheeks,
she urged me back to bed. But a feverish energy had seized upon me: to
work, to accomplish, to be independent of another's maintenance. There
was a prescience that in the not far distant future I should have need
of such resource, materially and spiritually. I shook off the foreboding
as a connotation of my physical condition. To take my place in the
world's work was the grandiose euphemism with which I lulled my
uneasiness. That same night I unearthed my working kit from the closet
in which it had been stored. One of the rooms of our apartment bearing
the honorary title of "boudoir" had a southern exposure, and, as we were
on the first floor nearest heaven, the light was good even on gloomy
days, which abounded at this season of the year. I shall never forget
the sense of exhilaration with which I cleared the decks for action. It
was as if some great force had breathed the vital impetus into my
nostrils. When I had donned my brown overall-apron I paused and inhaled,
deep and long. It was the first free breath I had drawn for weeks.
Public-domain text, read in full here on John Shaqi.
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