My Actor-Husband: A true story of American stage lifeAnonymous
General
My Actor-Husband: A true story of American stage life
Anonymous
Actors -- Fiction; Married people -- Fiction; Theater -- Moral and ethical aspects -- Fiction
It was well along in the autumn when Will signed and immediately began
rehearsals. The star was a petulant little lady who, by grace of her
marriage with a manager, had been hoisted to her present position, a
position to which she was not equal either by training, personality or
talent. For several seasons the husband-manager had invested--and
lost--large sums of money in the attempt to build up a following for his
wife. The present venture was a kind of last straw. That there was more
or less "feeling" between the couple was evinced by their frequent
_passages d'armes_ of a personal nature, at rehearsals. Accustomed as he
was to the thoroughness of the stage-management under which he had
worked during the past two seasons, Will found the hit and miss methods
of his new affiliation disconcerting and irritating. In addition to
this, the husband-manager-director had a picturesque if not a literate
command of the language. He was in the habit of standing in the centre
aisle or at the back of the theatre and shouting his directions to the
members on the stage. When, as sometimes happened, a member resented the
manager's method of criticism in no uncertain terms, that personage
would back down and with tearful, if blasphemous, appeal explain
himself. On opening nights, in response to the persistent calls from the
claque, the manager reluctantly (!) appeared before the curtain to bow
his acknowledgment--in shirt sleeves--his air of exhaustion contrasting
sharply with his jaws which worked a piece of chewing-gum like a
ticket-chopper in rush hours. It would seem that the vanity of actors is
not an exclusive attribute.
The metropolitan reception of the play and star was not one of
unmitigated joy. The husband-manager, not liking the opinions of the
press, talked back both in print and from the stage. Two ghastly weeks
in New York, playing to a papered house or empty seats, and the company
took to the coal regions. Another fortnight was spent sparring for open
time, reluctantly doled out to the weak, and the company gave up the
ghost. Obviously Will had entered upon a cycle of bad luck. I took upon
myself to look for an engagement. Not only on account of the material
consideration, but because the emptiness and loneliness of my life had
become no longer endurable. Self-imposed tasks palled. My mind refused
to concentrate upon the line of study I had outlined. "And thus the
native hue of resolution is sickled o'er with the pale cast of thought."
The career I once planned for myself had been consigned to the dump
heap of lost illusions. I could not touch the clay which once had
thrilled me with ambition.
Public-domain text, read in full here on John Shaqi.
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