My Actor-Husband: A true story of American stage lifeAnonymous
General
My Actor-Husband: A true story of American stage life
Anonymous
Actors -- Fiction; Married people -- Fiction; Theater -- Moral and ethical aspects -- Fiction
One of these girls afterward married an English baronet. I have since
wondered what disposition was made of the baronet's mother-in-law. I
made her acquaintance in the dressing-room one evening, whither she had
come to mend her daughter's wardrobe. She was a splendid specimen of the
complaisant stage-mamma. Clad in rusty black, her portly figure bulging
from ill-fitting stays, one might mistake her for the type of
scrub-woman one sees about the large office buildings of early mornings,
but never, never would one suspect her of being the mother of this
near-Vere-de-Vere. Voluble to a point of madness, she would acquaint you
with the family history, the cause and intimate details of her husband's
untimely taking off and the great hopes she entertained for her
daughter's "getting on." Sometimes she brought with her the youngest of
her offspring, a little girl of six who had already made her début as a
child-actress. Like all children of the stage, she was precocious and
most unchild-like. In the enactment of laws which are aimed to protect
the child-labourer, an attempt is being made to bring about an exemption
of their application to the stage-child. That the child-actor receives
better pay, that he or she works less hours and under more sanitary
surroundings than do children in other trades and professions, cannot be
gainsaid. But is the economic welfare of the child the prime and only
consideration? Is the physical protection the one and uppermost
consummation to be desired? What of the spiritual, the moral side of the
stage-child? If environment bear the strong influence on human life we
are led to believe, then should the stage-child be removed from its
infectious surroundings. The old saw to the effect of pitch and
defilement is here most applicable.
I have referred elsewhere to the exception I made in my discouragement
of intimacies. On that morning at rehearsal when I had resented the
stage-director's mode of criticism, among others who had approved my act
was a girl whose face had at once attracted me. She was pretty and of
less common type than the chorus averages. There was something
individual about her. Her appearance was neat and I had observed that
her clothes were neither so new nor so extreme as were those of her
colleagues. Also I was impressed with a quiet refinement of manner and
her usage of good English. As we became better acquainted she sometimes
waited for me after the performance and we walked together to the
underground station, where our lines diverged. Later I had asked her to
dine with me on a Sunday when Will was away on a week-end motor trip.
She appeared to enjoy the home atmosphere and visited with me in the
kitchen while I was preparing dinner. Feeling that with our reduced
income we could not afford it, I had dispensed with a servant. And as
Will rarely, if ever, dined at home, my housekeeping duties were not
onerous.
Public-domain text, read in full here on John Shaqi.
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