My Actor-Husband: A true story of American stage lifeAnonymous
General
My Actor-Husband: A true story of American stage life
Anonymous
Actors -- Fiction; Married people -- Fiction; Theater -- Moral and ethical aspects -- Fiction
I am sure that Will and the members of the company watched the "houses"
from the peep-holes in the curtain as eagerly as the star and the
management kept an eye on the box-office receipts. "How was the house
last night?" was the daily question I put to Will with his morning
coffee. Finally we settled back with the assurance of a season's run
ahead of us. I set in motion the plans I had outlined for myself. I
induced Will to study languages with me for a time, but his hours were
so uncertain that he finally dropped out. Music was a passion with me. I
went through a whole season of the Opera treat I had promised myself for
years. Will was fond of music, too, and sometimes we would go together
to the Sunday night concerts at the Metropolitan. Of course there were
still the dinner-parties and the supper-parties and matinées for
benevolent purposes. Will seemed to have tired of the parties and spent
more and more of his time at the Lambs. He never came home to supper
after the theatre nowadays. I missed my little talks with him across the
supper table. There was no longer any need to throw cold water in my
face to keep myself fresh until his coming. Sometimes when I was wakeful
I would hear him come in; it was generally daylight. Sometimes, on
Sunday morning, if he found me awake he would hand me the Morning
Telegram. No wonder they call it "the chorus girl's breakfast." Among
other things I did not like about the Lambs was that irritating way the
telephone boy had of asking "Who's calling, please." Will said they do
that at all Clubs.
CHAPTER VIII
By this time I had my own little _coterie_ and I prided myself it was a
cosmopolitan gathering which graced our little apartment on the second
and third Sundays of the month. There was so much to learn, the
interests were so diversified that I eagerly welcomed members of other
professions than our own--if they were worth while. Our sculptor friend
brought men who had travelled in remote parts of the world; they in turn
brought others. We numbered several army and navy officers, a German
scientist, men and women journalists, a cartoonist and an artist, women
engaged in Settlement work and the quaint old French professor who
taught me the language. When we could overcome his diffidence he was a
mine of information. He had witnessed the Commune of Paris and was
working on a book on that subject.
It is an interesting study to divide the _pastiche_ from the real. The
time-killers and the curious soon dropped out. It was not difficult to
limit our _coterie_ to the dimensions of our home. I could not but
contrast my simple "at homes" with those of the Dingleys. We had
received several cards for their Sundays and Will said we must go to at
least one of them. The Dingleys had sprung from humble beginnings. They
were jocosely referred to as the "ten, twent' and thirt's."
Public-domain text, read in full here on John Shaqi.
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