My Actor-Husband: A true story of American stage lifeAnonymous
General
My Actor-Husband: A true story of American stage life
Anonymous
Actors -- Fiction; Married people -- Fiction; Theater -- Moral and ethical aspects -- Fiction
When I was a little girl in short skirts they were members of a
répertoire company which played our town during County Fair week. The
répertoire comprised such good old timers as The Two Orphans, the
Danites, East Lynne, the Silver King, Streets of New York, Camille and
The Ticket-of-Leave Man. Mrs. Dingley was the leading lady and her
husband the utility man. She was my ideal of a heroine--in those days.
Her hair was very golden, and as the weepy heroine she wore a black
velvet dress with a long train. That black velvet (later experience told
me it was velveteen) played many parts. It was a princess, and for
evening wear the guimpe had only to be removed. Or, when the heroine was
ailing, as becomes a persecuted woman, the princess, with the help of a
full front panel, was converted into a tea-gown. Again, it was used as a
riding habit, draped up on one side and topped by husband's silk hat
wound round with a veil. With a good deal of crêpe drapery from the
bonnet, the same gown passed muster as widow's weeds. Mentally, I
resolved that when I became an actress I should have just such a
prestidigital gown in my wardrobe.
By dint of hard work on Mrs. Dingley's part and unmitigated nerve on the
part of her husband they had finally arrived on Broadway. They had
recently acquired a large house in the older part of the city and I
understood it was Mrs. Dingley's idea to establish a _salon_. Certainly
she was successful in drawing a crowd. The house was strikingly
furnished. There was much gold furniture and antique bric-à-brac;
canopied beds and monogrammed counterpanes. After a personally conducted
tour of the house and an enlightening dissertation upon the real worth
of and prices paid for the fittings, one retained a confusing sense of
having had an exercise in mental arithmetic.
It seemed rather catty of the women to make fun of the Dingleys behind
their back and at the same time accept their hospitality. Two smart
looking women whom I recognized as members of Mrs. D's. company appeared
to get no little amusement out of the coat of arms on Mrs. Dingley's
bed. "Why didn't they purloin a beer-stein, quiescent on a japanned
tray?" I heard one say.
"Or a Holstein bull rampant on a field of cotton," the other giggled.
I failed to grasp the significance of their remarks, though I saw the
humour in their allusion to the empty book-shelves which lined the walls
of the library. "Why not buy several hundred feet of red-backed books,
like a certain politician who wanted to fill up the wall space in his
library?"
"Pshaw! It would be cheaper to use props," scoffed the other.
Public-domain text, read in full here on John Shaqi.
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