"My country, 'tis of thee!": Or, the United States of America; past, present and future. A philosophic view of American history and of our present status, to be seen in the Columbian exhibition.Johnson, Willis Fletcher
History
"My country, 'tis of thee!": Or, the United States of America; past, present and future. A philosophic view of American history and of our present status, to be seen in the Columbian exhibition.
Johnson, Willis Fletcher
United States -- Description and travel; United States -- History
Everybody knows that on the stage humor takes better than anything else.
There may be a great tragedy well presented on the boards of a city
theatre, or a brilliant spectacle, or a so-called emotional drama which
appeals to everything improper in human nature, but the theatre which is
presenting a good comedy can always depend upon holding its own. No
dead-head seats are to be had at such theatres. The manager can always
depend upon getting money for all the room at his disposal. The fun may
be very rough, sometimes it is decidedly vulgar, but people ask as few
questions and make as few protests against fun, no matter what its kind,
as drunkards do against the quality of their whiskey.
American appreciation of humor may be found also in the number and wide
circulation of periodicals devoted entirely to fun. There used to be a
theory that there was no room for a humorous paper in the United States
because the ordinary dailies and weeklies indulged in so much fun
themselves. But after the enormous success of _Puck_, _Judge_, _Life_,
and some other periodicals, it is useless to argue any longer on the
subject. After a political or social question has been apparently worn
threadbare in editorials and essays, out comes one of these papers with
a pithy saying or a good cartoon that carries more influence than all
the serious talk combined. It matters little upon which side of the
question, even in politics, these professional humorists are found.
Their hits when well made are cheerfully acknowledged even by their own
enemies. During the palmy days of the New York ring, Mr. Nast, the
cartoonist of _Harper’s Weekly_, was offered an annual allowance several
times larger than his salary if he would give up work entirely and go
abroad. Humor and high character are often allied; one of the strongest
illustrations of the fact is that Mr. Nast without any hesitation
refused this valuable offer. Some of the abuses of local government in
New York have been more effectually fought by Mr. Keppler and his
associate artists in _Puck_ than by all the work of editors, lawyers and
judges. _Puck’s_ influence in politics became so great that before the
last Presidential campaign began it became absolutely necessary for the
party which it was fighting to start a humorous pictorial journal of
their own, and it was quite safe to suppose that it was influential in
the political results that followed.
Public-domain text, read in full here on John Shaqi.
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