"My country, 'tis of thee!": Or, the United States of America; past, present and future. A philosophic view of American history and of our present status, to be seen in the Columbian exhibition.Johnson, Willis Fletcher
History
"My country, 'tis of thee!": Or, the United States of America; past, present and future. A philosophic view of American history and of our present status, to be seen in the Columbian exhibition.
Johnson, Willis Fletcher
United States -- Description and travel; United States -- History
progress of industry, but do we always ask ourselves wherein that
progress consists? Is it in the greater perfection to which, in modern
times, we have carried the works of our hands? Look at the elegant
tissues of Persia and India, or at the flexible blades of Toledo and
Damascus, and say in how far we have surpassed these works of
semi-barbarous ages and people, with all our boasted mechanical
improvements! Can we imagine anything more splendid, more rich, and more
delicate than the clothes in which the Oriental princes still array
themselves, as their forefathers used to array themselves centuries ago?
Have we yet a dye more brilliant than the Tyrian, a sculpture equal to
that of Greece, an architecture better than that of the ‘Dark Ages,’
paintings on glass to compare with those in the old cathedrals, workers
in bronze to rival a Cellini? Is it not the highest compliment that we
pay to a product of skill or genius to say of it that it is ‘classical,’
that it is worthy of the models that have been preserved for ages in our
galleries and museums? What then do we mean when we speak of ourselves
as more advanced than former nations; what is that difference between us
which authorizes us to use the word progress and to look back with a
complacent half-pitying eye upon the attainments of the generations that
have passed away?
“It is this: that in our discoveries in science, by our applications of
those discoveries to practical art, by the enormous increase of
mechanical power consequent upon mechanical invention, we have
_universalized_ all the beautiful and glorious results of industry and
skill, we have made them a common possession of the people, and given to
society at large, to almost the meanest member of it, the enjoyments,
the luxury, the elegance which in former times were the exclusive
privilege of kings and nobles. Formerly the labor of the world fed, and
clothed, and ornamented the Prince and his Court, or the warrior and his
chieftains--but now it feeds and clothes and ornaments the peasant and
his family. Then the ten thousand poor, miserable wretches worked for
the one, or the few, but now the ten thousand work for the ten thousand.
Then the wealth of provinces was drained to heap up splendors for the
lord of the province, but now that wealth is multiplied and diffused, to
give happiness to the commonalty. All the concentrated capital of Lyons,
and Leeds, and Lowell, all our complicated machinery, while it creates
new demands for human labor, is intended to cheapen manufacturing
products, as the effort of that cheapness is to put the fabrics of
woolen and silk within the reach of the poorest classes. Our books, at
this day, may not be individually superior to the books of the days of
Elzevir, but millions of men now possess books where hundreds only
possessed them formerly. Our vases and cups may not be more exquisitely
wrought than the vases and cups of Benevento Cellini, but they are
Public-domain text, read in full here on John Shaqi.
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