I listened awhile to the conversation, but when the safe-conduct for my father and myself had been examined, I crossed to the other side of the road in order to scan the expanse of fields lying in that direction. All at once I saw a German officer, mounted on a powerful-looking horse, galloping over the rough ground in our direction. He came straight towards me. He was a well-built, middle-aged man of some rank--possibly a colonel. Reining in his mount, he addressed me in French, asking several questions. When, however, I had told him who we were, he continued the conversation in English and inquired if I had brought any newspapers out of Paris. Now, we were all pledged not to give any information of value to the enemy, but I had in my pockets copies of two of the most violent prints then appearing in the city--that is to say, _La Patrie en Danger_, inspired by Blanqui, and _Le Combat_, edited by Felix Pyat. The first-named was all sound and fury, and the second contained a subscription list for a pecuniary reward and rifle of honour to be presented to the Frenchman who might fortunately succeed in killing the King of Prussia. As the German officer was so anxious to ascertain what the popular feeling in Paris might be, and whether it favoured further resistance, it occurred to me, in a spirit of devilment as it were, to present him with the aforesaid journals, for which he expressed his heartfelt thanks, and then galloped away. As I never met him again, I cannot say how he took the invectives and the "murder-subscription." Perhaps it was not quite right of me to foist on him, as examples of genuine Parisian opinion, two such papers as those I gave him; but, then, all is fair not merely in love but in war also, and in regard to the contentions of France and Germany, my sympathies were entirely on the side of France.