My Days of Adventure: The Fall of France, 1870-71Vizetelly, Ernest Alfred
History
My Days of Adventure: The Fall of France, 1870-71
Vizetelly, Ernest Alfred
Franco-Prussian War, 1870-1871 -- Personal narratives
But to return to the balloon postal-service which the Government
organized, it was at once realized by my father and myself that it could
be of little use to us so far as the work for the _Illustrated London
News_ was concerned, on account of the restrictions which were imposed in
regard to the size and weight of each letter that might be posted.
The weight, indeed, was fixed at no more than three grammes! Now, there
were a number of artists working for the _Illustrated_ in Paris, first
and foremost among them being M. Jules Pelcoq, who must personally have
supplied two-thirds of the sketches by which the British public was kept
acquainted with the many incidents of Parisian siege-life. The weekly
diary which I helped my father to compile could be drawn up in small
handwriting on very thin, almost transparent paper, and despatched in
the ordinary way. But how were we to circumvent the authorities in regard
to our sketches, which were often of considerable size, and were always
made on fairly substantial paper, the great majority of them being
wash-drawings? Further, though I could prepare two or three drafts of our
diary or our other "copy" for despatch by successive balloons--to provide
for the contingency of one of the latter falling into the hands of the
enemy--it seemed absurd that our artists should have to recopy every
sketch they made. Fortunately, there was photography, the thought of which
brought about a solution of the other difficulty in which we were placed.
I was sent to interview Nadar on the Place Saint Pierre at Montmartre,
above which his captive balloon the "Neptune" was oscillating in the
September breeze. He was much the same man as I had seen at the Crystal
Palace a few years previously, tall, red-haired, and red-shirted. He had
begun life as a caricaturist and humorous writer, but by way of buttering
his bread had set up in business as a photographer, his establishment on
the Boulevard de la Madeleine soon becoming very favourably known. There
was still a little "portrait-taking" in Paris during those early siege
days. Photographs of the celebrities or notorieties of the hour sold
fairly well, and every now and again some National Guard with means was
anxious to be photographed in his uniform. But, naturally enough, the
business generally had declined. Thus, Nadar was only too pleased to
entertain the proposal which I made to him on my father's behalf, this
being that every sketch for the _Illustrated_ should be taken to his
establishment and there photographed, so that we might be able to send out
copies in at least three successive balloons.
Public-domain text, read in full here on John Shaqi.
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