Communism -- Soviet Union; Goldman, Emma, 1869-1940; Soviet Union -- History -- Revolution, 1917-1921 -- Personal narratives, American
The Museum of the Revolution is housed in the Winter Palace, in the
suite once used as the nursery of the Tsar's children. The entrance to
that part of the palace is known as _detsky podyezd_. From the windows
of the palace the Tsar must have often looked across the Neva at the
Peter-and-Paul Fortress, the living tomb of his political enemies. How
different things were now! The thought of it kindled my imagination. I
was full of the wonder and the magic of the great change when I paid my
first visit to the Museum.
I found groups of men and women at work in the various rooms, huddled
up in their wraps and shivering with cold. Their faces were bloated and
bluish, their hands frost-bitten, their whole appearance shadow-like.
What must be the devotion of these people, I thought, when they can
continue to work under such conditions. The secretary of the Museum,
M. B. Kaplan, received me very cordially and expressed "the hope
that I would join in the work of the Museum." He and another member
of the staff spent considerable time with me on several occasions,
explaining the plans and purposes of the Museum. They asked me to join
the expedition which the Museum was then organizing, and which was to
go south to the Ukraina and the Caucasus. Valuable material of the
revolutionary period was to be gathered there, they explained. The
idea attracted me. Aside from my general interest in the Museum and
its efforts, it meant non-partisan work, free from Commissars, and an
exceptional opportunity to see and study Russia.
In the course of our acquaintance I learned that neither Mr. Kaplan
nor his friend was a Communist. But while Mr. Kaplan was strongly
pro-Bolshevik and tried to defend and explain away everything, the
other man was critical though by no means antagonistic. During my stay
in Petrograd I saw much of both men, and I learned from them a great
deal about the Revolution and the methods of the Bolsheviki. Kaplan's
friend, whose name for obvious reasons I cannot mention, often spoke of
the utter impossibility of doing creative work within the Communist
machine. "The Bolsheviki," he would say, "always complain about lack
of able help, yet no one--unless a Communist--has much of a chance."
The Museum was among the least interfered with institutions, and work
there had been progressing well. Then a group of twenty youths were
sent over, young and inexperienced boys unfamiliar with the work. Being
Communists they were placed in positions of authority, and friction
and confusion resulted. Everyone felt himself watched and spied upon.
"The Bolsheviki care not about merit," he said; "their chief concern
is a membership card." He was not enthusiastic about the future of the
Museum, yet believed that the coöperation of the "Americans" would aid
its proper development.
Public-domain text, read in full here on John Shaqi.
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