My Double Life: The Memoirs of Sarah BernhardtBernhardt, Sarah
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My Double Life: The Memoirs of Sarah Bernhardt
Bernhardt, Sarah
Actors -- France -- Biography; Bernhardt, Sarah, 1844-1923
Agar came back to me with a faint colour in her cheeks. This was rare
with her, for she had a marble-like complexion. “Here is the
manuscript!” she said, giving me a little roll of paper.
The rehearsal was over, and I wished Agar good-bye, and on my way home
read the piece. I was so delighted with it that I drove straight back to
the theatre to give it to Duquesnel at once. I met him coming
downstairs.
“Do come back again, please!” I exclaimed.
“Good heavens, my dear girl, what is the matter?” he asked. “You look as
though you have won a big lottery prize.”
“Well, it is something like that,” I said, and entering his office, I
produced the manuscript,
“Read this, please,” I continued.
“I’ll take it with me,” he said.
“Oh no, read it here at once!” I insisted. “Shall I read it to you?”
“No, no,” he replied; “your voice is treacherous. It makes charming
poetry of the worst lines possible. Well, let me have it,” he continued,
sitting down in his arm-chair. He began to read whilst I looked at the
newspapers.
“It’s delicious!” he soon exclaimed. “It’s a perfect masterpiece.”
I sprang to my feet in joy.
“And you will get Chilly to accept it?”
“Oh yes, you can make your mind easy. But when do you want to play it?”
“Well, the author seems to be in a great hurry,” I said, “and Agar too.”
“And you as well,” he put in, laughing, “for this is a _rôle_ that just
suits your fancy.”
“Yes, my dear ‘_Duq_,’” I acknowledged. “I too want it put on at once.
Do you want to be very nice?” I added. “If so, let us have it for the
benefit of Madame —— in a fortnight from now. That would not make any
difference to other arrangements, and our poet would be so happy.”
“Good!” said Duquesnel, “I will settle it like that. What about the
scenery, though?” he muttered meditatively, biting his nails, which were
then his favourite meal when disturbed in his mind.
I had already thought that out, so I offered to drive him home, and on
the way I put my plan before him.
We might have the scenery of _Jeanne de Ligneris_, a piece that had been
put on and taken off again immediately, after being jeered at by the
public. The scenery consisted of a superb Italian park, with flowers,
statues, and even a flight of steps. As to costumes, if we spoke of them
to Chilly, no matter how little they might cost he would shriek, as he
had done in his _rôle_ of Rodin. Agar and I would supply our own
costumes.
Public-domain text, read in full here on John Shaqi.
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