My Double Life: The Memoirs of Sarah BernhardtBernhardt, Sarah
General
My Double Life: The Memoirs of Sarah Bernhardt
Bernhardt, Sarah
Actors -- France -- Biography; Bernhardt, Sarah, 1844-1923
Avec ta guitare à ton cou,
Va, par la France et par l’Espagne!
Suis ton chemin; je ne sais où....
Par la plaine et par la montagne!
Passe, comme la plume au vent!
Comme le son de ta mandore!
Comme un flot qui baise en rêvant,
Les flancs d’une barque sonore!
The proprietor of one of the hotels now very much in vogue sent me the
following letter, which I quote word for word:
“MADAME,—If you would consent to dine every evening for a month in our
large dining-room, I would place at your service a suite of rooms on
the first floor, consisting of two bedrooms, a large drawing-room, a
small boudoir, and a bath-room. It is of course understood that this
suite of rooms would be yours free of charge if you would consent to
do as I ask.—Yours, etc.
“(P.S.) You would only have to pay for the fresh supplies of plants
for your drawing-room.”
This was the extent of the man’s coarseness. I asked one of my friends
to go and give the low fellow his answer.
I was in despair, though, for I felt that I could not live without
comfort and luxury.
I soon made up my mind as to what I must do, but not without sorrow. I
had been offered a magnificent engagement in Russia, and I should have
to accept it. Madame Guérard was my sole confidant, and I did not
mention my plan to any one else. The idea of Russia terrified her, for
at that time my chest was very delicate, and cold was my most cruel
enemy. It was just as I had made up my mind to this that the lawyer
arrived. His avaricious and crafty mind had schemed out the clever and,
for him, profitable combination which was to change my whole life once
more.
I took a pretty flat on the first floor of a house in the Rue de Rome.
It was very sunny, and that delighted me more than anything else. There
were two drawing-rooms and a large dining-room. I arranged for my
grandmother to live at a home kept by lay sisters and nuns. She was a
Jewess, and carried out very strictly all the laws laid down by her
religion. The house was very comfortable, and my grandmother took her
own maid with her, the young girl from Burgundy, to whom she was
accustomed.
When I went to see her she told me that she was much better off there
than with me. “When I was with you,” she said, “I found your boy too
noisy.” I very rarely went to visit her there, for after seeing my
mother turn pale at her unkind words I never cared any more for her. She
was happy, and that was the essential thing.
I now played successfully in _Le Bâtard_, in which I had great success,
in _L’Affranchi_, in _L’Autre_ by George Sand, and in _Jean-Marie_, a
little masterpiece by André Theuriet, which had the most brilliant
success. Porel played the part of Jean-Marie. He was at that time
slender, and full of hope. Since then his slenderness has developed into
plumpness and his hope into certitude.
Public-domain text, read in full here on John Shaqi.
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