I had heard Victor Hugo spoken of ever since my childhood as a rebel and a renegade, and his works, which I had read with passion, did not prevent my judging him with very great severity. And I blush to-day with anger and shame when I think of all my absurd prejudices, fomented by the imbecile or insincere little court which flattered me. I had a great desire, nevertheless, to play in _Ruy Blas_. The _rôle_ of the Queen seemed so charming to me. I mentioned my wish to Duquesnel, who said he had already thought of it. Jane Essler, an artiste then in vogue, but a trifle vulgar, had great chances, though, against me. She was on very amicable terms with Paul Meurice, Victor Hugo’s intimate friend and adviser. One of my friends brought Auguste Vacquerie to my house. He was another friend, and even a relative, of the “illustrious master.” Auguste Vacquerie promised to speak to Victor Hugo, and two days later he came again, assuring me that I had every chance in my favour. Paul Meurice himself, a very straightforward man, a delightful soul, had proposed me to the author. And Geffroy, the admirable artiste who had retired from the Comédie Française, and was now asked to play _Don Salluste_, had said, it appears, that he could only see one little Queen of Spain worthy to wear the crown, and I was that one. I did not know Geffroy; I did not know Paul Meurice; and was rather astonished that they should know me. The play was to be read to the artistes at Victor Hugo’s, December 6, 1871, at two o’clock. I was very much spoilt, and very much praised and flattered, so that I felt hurt at the unceremoniousness of a man who did not condescend to disturb himself, but asked women to go to his house when there was neutral ground, the theatre, for the reading of plays. I mentioned this unheard-of incident at five o’clock to my little court, and men and women alike exclaimed: “What! That man who was only the other day an outlaw! That man who has only just been pardoned! That nobody!—dares to ask the little Idol, the Queen of _Hearts_, the Fairy of Fairies, to put herself to inconvenience!” All my little sanctuary was in a tumult; men and women alike could not keep still. “She must not go,” they said. “Write him this”—“Write him that.” And they were composing impertinent, disdainful letters when Marshal Canrobert was announced. He belonged at that time to my little five o’clock court, and he was soon posted on what had taken place by my turbulent visitors. He was furiously angry at the imbecilities uttered against the great poet. “You must not go to Victor Hugo’s,” he said to me, “for it seems to me that he has no reason to deviate from the regular custom. But say that you are suddenly unwell; follow my advice and show the respect for him that we owe to genius.” I followed my great friend’s counsel, and sent the following letter to the poet: