My Double Life: The Memoirs of Sarah BernhardtBernhardt, Sarah
General
My Double Life: The Memoirs of Sarah Bernhardt
Bernhardt, Sarah
Actors -- France -- Biography; Bernhardt, Sarah, 1844-1923
In answer to the toast proposed by Victor Hugo thanking every one for
such zealous help on the revival of his work, each person raised his
glass and looked towards the poet, but the illustrious master turned
towards me and continued, “As to you, Madame——”
Just at this moment Paul de St. Victor put his glass down so violently
on the table that it broke. There was an instant of stupor, and then I
leaned across the table and held my glass out towards Paul de St.
Victor.
[Illustration:
SARAH BERNHARDT AT A FANCY-DRESS BALL
BY WALTER SPINDLER
]
“Take mine, Monsieur,” I said, “and then when you drink you will know
what my thoughts are in reply to yours, which you have just expressed so
clearly!”
The horrid man took my glass, but with what a look!
Victor Hugo finished his speech in the midst of applause and cheers.
Duquesnel then leaned back and spoke to me quietly. He asked me to tell
Chilly to reply to Victor Hugo. I did as requested. But he gazed at me
with a glassy look, and in a far-away voice replied:
“Some one is holding my legs.” I looked at him more attentively, whilst
Duquesnel asked for silence for M. de Chilly’s speech. I saw that his
fingers were grasping a fork desperately; the tips of his fingers were
white, the rest of the hand was violet. I took his hand, and it was icy
cold; the other was hanging down inert under the table. There was
silence, and all eyes turned towards Chilly.
“Get up,” I said, seized with terror. He made a movement, and his head
suddenly fell forward with his face on his plate. There was a muffled
uproar, and the few women present surrounded the poor man. Stupid,
commonplace, indifferent things were uttered in the same way that one
mutters familiar prayers. His son was sent for, and then two of the
waiters came and carried the body away, living but inert, and placed it
in a small drawing-room.
Duquesnel stayed with him, begging me, however, to go back to the poet’s
guests. I returned to the room where the supper had taken place. Groups
had been formed, and when I was seen entering I was asked if he was
still as ill.
“The doctor has just arrived, and he cannot yet say,” I replied.
“It is indigestion,” said Lafontaine (Ruy Blas), tossing off a glass of
liqueur brandy.
“It is cerebral anæmia,” pronounced Talien (Don Guritan), clumsily, for
he was always losing his memory.
Victor Hugo approached and said very simply:
“It is a beautiful kind of death.”
He then took my arm and led me away to the other end of the room, trying
to chase my thoughts away by gallant and poetical whispers. Some little
time passed with this gloom weighing on us, and then Duquesnel appeared.
He was pale, but appeared as if nothing serious was the matter. He was
ready to answer all questions.
Oh yes; he had just been taken home. It would be nothing, it appeared.
He only needed rest for a couple of days. Probably his feet had been
cold during the meal.
Public-domain text, read in full here on John Shaqi.
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