My Double Life: The Memoirs of Sarah BernhardtBernhardt, Sarah
General
My Double Life: The Memoirs of Sarah Bernhardt
Bernhardt, Sarah
Actors -- France -- Biography; Bernhardt, Sarah, 1844-1923
All this preyed on my mind, though, and I used to cry all night. I then
decided to take a studio and devote myself to sculpture. As I was not
able to use my intelligence and my energy in creating _rôles_ at the
theatre, as I wished, I gave myself up to another art, and began working
at sculpture with frantic enthusiasm. I soon made great progress, and
started on an enormous composition, _After the Storm_. I was indifferent
now to the theatre. Every morning at eight my horse was brought round,
and I went for a ride, and at ten I was back in my studio, 11 Boulevard
de Clichy. I was very delicate, and my health suffered from the double
effort I was making. I used to vomit blood in the most alarming way, and
for hours together I was unconscious. I never went to the Comédie except
when obliged by my duties there. My friends were seriously concerned
about me, and Perrin was informed of what was going on. Finally, incited
by the Press and the Department of Fine Arts, he decided to give me a
_rôle_ to create in Octave Feuillet’s play _Le Sphinx_.
The principal part was for Croizette, but on hearing the play read I
thought the part destined for me charming, and I resolved that it should
also be the principal _rôle_. There would have to be two principal ones,
that was all. The rehearsals went along very smoothly at the start, but
it soon became evident that my _rôle_ was more important than had been
imagined, and friction soon began.
Croizette herself got nervous, Perrin was annoyed, and all this by-play
had the effect of calming me. Octave Feuillet, a shrewd, charming man,
extremely well bred and slightly ironical, thoroughly enjoyed the
skirmishes that took place. War was doomed to break out, however, and
the first hostilities came from Sophie Croizette.
I always wore in my bodice three or four roses, which were apt to open
under the influence of the warmth, and some of the petals naturally
fell. One day Sophie Croizette slipped down full length on the stage,
and as she was tall and not slim, she fell rather unbecomingly, and got
up again ungracefully. The stifled laughter of some of the subordinate
persons present stung her to the quick, and turning to me she said,
“It’s your fault; your roses fall and make every one slip down.” I began
to laugh.
Public-domain text, read in full here on John Shaqi.
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