My Double Life: The Memoirs of Sarah BernhardtBernhardt, Sarah
General
My Double Life: The Memoirs of Sarah Bernhardt
Bernhardt, Sarah
Actors -- France -- Biography; Bernhardt, Sarah, 1844-1923
I took hold of a large ring fixed in the vault which overhung the rock,
and I looked round. The long and narrow crevasse grew suddenly wider at
its base, and terminated in a large grotto which looked out over the
open sea; but the entrance of this grotto was protected by a quantity of
both large and small rocks, which could be seen for a distance of a
league in front on the surface of the water—which explains the terrible
noise of the sea dashing into the labyrinth and the possibility of
standing upright on a stone, as the Bretons say, with the wild dance of
the waves all around.
However, I saw very plainly that a false step might be fatal in the
brutal whirl of waters, which came rushing in from afar with dizzy speed
and broke against the insurmountable obstacle, and in receding dashed
against other waves which followed them. From this cause proceeded the
perpetual fusillade of waters which rushed into the crevasse without
danger of drowning me.
It now began to grow dark, and I experienced a fearful anguish in
discovering on the crest of a little rock two enormous eyes, which
looked fixedly at me. Then a little farther, near a tuft of seaweed, two
more of these fixed eyes. I saw no body to these beings—nothing but the
eyes. I thought for a minute that I was losing my senses, and I bit my
tongue till the blood came; then I pulled violently at the rope, as I
had agreed to do in order to give the signal for being drawn up. I felt
the trembling joy of the four hands pulling me, and my feet lost their
hold as I was hauled up by my guardians. The eyes were lifted up also,
uneasy at seeing me depart. And while I mounted through the air I saw
nothing but eyes everywhere—eyes throwing out long feelers to reach me.
I had never seen an octopus, and I did not even know of the existence of
these horrible beasts.
During the ascent, which appeared to me interminable, I imagined I saw
these beasts along the walls, and my teeth were chattering when I was
drawn out on to the green hillock.
I immediately told the guardian the cause of my terror, and he crossed
himself, saying, “Those are the eyes of the shipwrecked ones. No one
must stay there!”
I knew very well that they were not the eyes of shipwrecked ones, but I
did not know what they were. For I thought I had seen some strange
beasts that no one had ever seen before.
It was only at the hotel with Père Batifoulé that I learnt about the
octopus.
Only five more days’ holiday were left to me, and I passed them at the
Pointe du Raz, seated in a niche of rock which has been since named
“Sarah Bernhardt’s Arm-chair.” Many tourists have sat there since.
After my holiday I returned to Paris. But I was still very weak, and
could only take up my work towards the month of November. I played all
the pieces of my _répertoire_, and I was annoyed at not having any new
_rôles_.
Public-domain text, read in full here on John Shaqi.
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