My Double Life: The Memoirs of Sarah BernhardtBernhardt, Sarah
General
My Double Life: The Memoirs of Sarah Bernhardt
Bernhardt, Sarah
Actors -- France -- Biography; Bernhardt, Sarah, 1844-1923
My time was then occupied in looking after the building of a pretty
little mansion which I was having erected at the corner of the Avenue de
Villiers and the Rue Fortuny. A sister of my grandmother had left me in
her will a nice legacy, which I used to buy the ground. My great desire
was to have a house that should be entirely my own, and I was then
realising it. The son-in-law of M. Régnier, Félix Escalier, a
fashionable architect, was building me a charming place. Nothing amused
me more than to go with him in the morning over the unfinished house.
Afterwards I mounted the movable scaffolds. Then I went on the roofs. I
forgot my worries of the theatre in this new occupation. The thing I
most desired just then was to become an architect. When the building was
finished, the interior had to be thought of. I spent much time in
helping my painter friends who were decorating the ceilings in my
bedroom, in my dining-room, in my hall: Georges Clairin; the architect
Escalier, who was also a talented painter; Duez, Picard, Butin, Jadin,
and Parrot. I was deeply interested. And I recollect a joke which I
played on one of my relations.
My aunt Betsy had come from Holland, her native country, in order to
spend a few days in Paris. She was staying with my mother. I invited her
to lunch in my new unfinished habitation. Five of my painter friends
were working, some in one room, some in another, and everywhere lofty
scaffoldings were erected. In order to be able to climb the ladders more
easily I was wearing my sculptor’s costume. My aunt, seeing me thus
arrayed, was horribly shocked, and told me so. But I was preparing yet
another surprise for her. She thought these young workers were ordinary
house-painters, and considered I was too familiar with them. But she
nearly fainted when mid-day came and I rushed to the piano to play “The
Complaint of the Hungry Stomachs.” This wild melody had been improvised
by the group of painters, but revised and corrected by poet friends.
Here it is:
Oh! Peintres de la Dam’ jolie,
De vos pinceaux arrêtez la folie!
Il faut descendr’ des escabeaux,
Vous nettoyer et vous faire très beaux!
Digue, dingue, donne!
L’heure sonne.
Digue, dingue, di....
C’est midi!
Sur les grils et dans les cass’roles
Sautent le veau, et les œufs et les soles.
Le bon vin rouge et l’Saint-Marceaux
Feront gaiment galoper nos pinceaux!
Digue, dingue, donne!
L’heure sonne.
Digue, dingue, di....
C’est midi!
Voici vos peintres, Dam’ jolie
Qui vont pour vous débiter leur folie.
Ils ont tous lâché l’escabeau
Sont frais, sont fiers, sont propres et très beaux!
Digue, dingue, donne
L’heure sonne.
Digue, dingue, di....
C’est midi.
Public-domain text, read in full here on John Shaqi.
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