Cross had not any, though, so I bought a cheetah. It was quite young and very droll; it looked like a gargoyle on some castle of the Middle Ages. I also bought a dog-wolf, all white with a thick coat, fiery eyes, and spear-like teeth. He was terrifying to look at. Mr. Cross made me a present of six chameleons which belonged to a small breed and looked like lizards. He also gave me an admirable chameleon, a prehistoric, fabulous sort of animal. It was a veritable Chinese curiosity, and changed colour from pale green to dark bronze, at one minute slender and long like a lily leaf, and then all at once puffed out and thick-set like a toad. Its lorgnette eyes, like those of a lobster, were quite independent of each other. With its right eye it would look ahead and with its left eye it looked backwards. I was delighted and quite enthusiastic over this present. I named my chameleon “Cross-ci Cross- ça,” in honour of Mr. Cross. We returned to London with the cheetah in a cage, the dog-wolf in a leash, my six little chameleons in a box, and Cross-ci Cross-ça on my shoulder, fastened to a gold chain we had bought at a jeweller’s. I had not found any lions, but I was delighted all the same. My servants were not as pleased as I was. There were already three dogs in the house: Minniccio, who had accompanied me from Paris; Bull and Fly, bought in London. Then there was my parrot Bizibouzou, and my monkey Darwin. Madame Guérard screamed when she saw these new guests arrive. My steward hesitated to approach the dog-wolf, and it was all in vain that I assured them that my cheetah was not dangerous. No one would open the cage, and it was carried out into the garden. I asked for a hammer in order to open the door of the cage which had been nailed down, thus keeping the poor cheetah a prisoner. When my domestics heard me ask for the hammer they decided to open it themselves. Madame Guérard and the women servants watched from the windows. Presently the door burst open, and the cheetah, beside himself with joy, sprang like a tiger out of his cage, wild with liberty. He rushed at the trees and made straight for the dogs, who all four began to howl with terror. The parrot was excited, and uttered shrill cries; and the monkey, shaking his cage about, gnashed his teeth to distraction. This concert in the silent square made the most prodigious effect. All the windows were opened, and more than twenty faces appeared above my garden wall, all of them inquisitive, alarmed, or furious. I was seized with a fit of uncontrollable laughter, and so was my friend Louise Abbema. Nittis the painter, who had come to call on me, was in the same state, and so was Gustave Doré, who had been waiting for me ever since two o’clock. Georges Deschamp, an amateur musician with a great deal of talent, tried to note down this Hoffmanesque harmony, whilst my friend Georges Clairin, his back shaking with laughter, sketched the never-to-be- forgotten scene.