My Double Life: The Memoirs of Sarah BernhardtBernhardt, Sarah
General
My Double Life: The Memoirs of Sarah Bernhardt
Bernhardt, Sarah
Actors -- France -- Biography; Bernhardt, Sarah, 1844-1923
“I made my way in life,” he often said to me, “by the aid of two
weapons: honesty and a revolver. In business honesty is the most
terrible weapon a man can use against rascals and crafty people. The
former don’t know what it is and the latter don’t believe in it; while
the revolver is an admirable invention for compelling scoundrels to keep
their word.”
He used to tell me about wonderful and terrifying adventures.
He had a deep scar under his right eye. During a violent discussion
about a contract to be signed for Jenny Lind, the celebrated singer,
Jarrett said to his interlocutor, pointing at the same time to his right
eye: “Look at that eye, sir. It is now reading in your mind all that you
are not saying.”
“It doesn’t know how to read, then, for it never foresaw that,” said the
other, firing his revolver at Jarrett’s right eye.
“A bad shot, sir,” replied Jarrett. “This is the way to take aim for
effectually closing an eye.”
And he put a ball between the two eyes of the other man, who fell down
dead.
When Jarrett told this story his lip curled up and his two incisors
appeared to be crunching the words with delight, and his bursts of
stifled laughter sounded like the snapping of his jaws. He was an
upright, honest man, though, and I liked him very much, and I like what
I remember of him.
My first impression was a joyful one, and I clapped my hands with
delight as I entered the drawing-room, which I had not yet seen. The
busts of Racine, Molière, and Victor Hugo were on pedestals surrounded
with flowers. All round the large room were sofas laden with cushions,
and, to remind me of my home in Paris, there were tall palms stretching
out their branches over the sofas. Jarrett introduced Knoedler, who had
suggested this piece of gallantry. He was a very charming man. I shook
hands with him, and we were friends from that time forth.
The visitors soon went away, but the reporters remained. They were all
seated, some of them on the arms of the chairs, others on the cushions.
One of them had crouched down tailor-fashion on a bear-skin, and was
leaning back against the steam heater. He was pale and thin, and coughed
a great deal. I went towards him, and had just opened my lips to speak
to him, although I was rather shocked that he did not rise, when he
addressed me in a bass voice.
“Which is your favourite _rôle_, Madame?” he asked.
“That is no concern of yours,” I answered, turning my back on him. In
doing so I knocked against another reporter, who was more polite.
“What do you eat when you wake in the morning, Madame?” he inquired.
I was about to reply to him as I had done to the first one, but Jarrett,
who had had difficulty in appeasing the anger of the crouching man,
answered quickly for me, “Oatmeal.” I did not know what that dish was,
but the ferocious reporter continued his questions.
“And what do you eat during the day?”
“Mussels.”
He wrote down phlegmatically, “Mussels during the day.”
Public-domain text, read in full here on John Shaqi.
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