My Double Life: The Memoirs of Sarah BernhardtBernhardt, Sarah
General
My Double Life: The Memoirs of Sarah Bernhardt
Bernhardt, Sarah
Actors -- France -- Biography; Bernhardt, Sarah, 1844-1923
It matters very little to
me whether people believe one thing or another.
Life is short, even for those who live a long time, and we must live for
the few who know and appreciate us, who judge and absolve us, and for
whom we have the same affection and indulgence. The rest I look upon as
a mere crowd, lively or sad, loyal or corrupt, from whom there is
nothing to be expected but fleeting emotions, either pleasant or
unpleasant, which leave no trace behind them. We ought to hate very
rarely, as it is too fatiguing; remain indifferent to a great deal,
forgive often and never forget. Forgiving does not mean forgetting—at
least, it does not with me. I will not mention here any of the
outrageous and infamous attacks that were made upon me, as it would be
doing too great an honour to the wretched people who were responsible
for them, from beginning to end dipping their pen in the gall of their
own souls. All I can say is that nothing kills but death, and that any
one who wishes to defend himself or herself from slander can do it. For
that one must live. It is not given to every one to be able to do it,
but it depends on the will of God, who sees and judges.
I took two days’ rest before going to the theatre, for I could feel the
movement of the ship all the time: my head was dizzy, and it seemed to
me as though the ceiling moved up and down. The twelve days on the sea
had quite upset my health. I sent a line to the stage manager, telling
him that we would rehearse on Wednesday, and on that day, as soon as
luncheon was over, I went to Booth’s Theatre, where our performances
were to take place. At the stage door I saw a compact, swaying crowd,
very much animated and gesticulating. These strange-looking individuals
did not belong to the world of actors. They were not reporters either,
for I knew them too well, alas! to be mistaken in them. They were not
there out of curiosity either, these people, for they seemed too much
occupied, and then, too, there were only men. When my carriage drew up,
one of them rushed forward to the door of it and then returned to the
swaying crowd. “Here she is! Here she is!” I heard, and then all these
common men, with their white neckties and questionable-looking hands,
with their coats flying open, and trousers the knees of which were worn
and dirty-looking, crowded behind me into the narrow passage leading to
the staircase. I did not feel very easy in my mind, and I mounted the
stairs rapidly. Several persons were waiting for me at the top: Mr.
Abbey, Jarrett, and also some reporters, two gentlemen and a charming
and most distinguished woman, whose friendship I have kept ever since,
although she does not care much for French people. I saw Mr. Abbey, who
was usually very dignified and cold, advance in the most gracious and
courteous way to one of the men who were following me. They raised their
hats to each other, and, followed by the strange and brutal-looking
regiment, they advanced towards the centre of the stage.
Public-domain text, read in full here on John Shaqi.
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