My Double Life: The Memoirs of Sarah BernhardtBernhardt, Sarah
General
My Double Life: The Memoirs of Sarah Bernhardt
Bernhardt, Sarah
Actors -- France -- Biography; Bernhardt, Sarah, 1844-1923
With a very natural partiality, I discovered in myself the gift of
absolute self-sacrifice, renunciation, and devotion of every
kind—qualities which would win for me easily the post of Mother Superior
in the Grand-Champs Convent. Then with the most indulgent generosity I
attributed to myself all the necessary gifts for the fulfilment of my
other dream, namely, to become the first, the most celebrated, and the
most envied of actresses. I told off on my fingers all my qualities:
grace, charm, distinction, beauty, mystery, piquancy.
Oh yes, I found I had all these, and when my reason and my honesty
raised any doubt or suggested a “but” to this fabulous inventory of my
qualities, my combative and paradoxical ego at once found a plain,
decisive answer which admitted of no further argument.
It was under these special conditions and in this frame of mind that I
went on to the stage when my turn came. The choice of my _rôle_ for this
competition was a very stupid one. I had to represent a married woman
who was “reasonable” and very much inclined to argue, and I was a mere
child, and looked much younger than my years. In spite of this I was
very brilliant; I argued well, was very gay, and made an immense
success. I was transfigured with joy and wildly excited, so sure I felt
of a first prize.
I never doubted for a moment but that it would be awarded to me
unanimously. When the competition was over, the committee met to discuss
the awards, and in the meantime I asked for something to eat. A cutlet
was brought from the pastrycook’s patronised by the Conservatoire, and I
devoured it, to the great joy of Madame Guérard and Mlle. de Brabender,
for I detested meat, and always refused to eat it.
The members of the committee at last went to their places in the large
box, and there was silence in the theatre. The young men were called
first on the stage. There was no first prize awarded to them. Parfouru’s
name was called for the second prize for comedy. Parfouru is known to-
day as M. Paul Porel, director of the Vaudeville Theatre and Réjane’s
husband. After this came the turn of the girls.
I was in the doorway, ready to rush up to the stage. The words “First
prize for comedy” were uttered, and I made a step forward, pushing aside
a girl who was a head taller than I was. “First prize for comedy awarded
unanimously to Mademoiselle Marie Lloyd.” The tall girl I had pushed
aside now went forward, slender and radiant, towards the stage.
There were a few protestations, but her beauty, her distinction, and her
modest charm won the day with every one, and Marie Lloyd was cheered.
She passed me on her return, and kissed me affectionately. We were great
friends, and I liked her very much, but I considered her a nullity as a
pupil. I do not remember whether she had received any prize the previous
year, but certainly no one expected her to have one now. I was simply
petrified with amazement.
Public-domain text, read in full here on John Shaqi.
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