My Double Life: The Memoirs of Sarah BernhardtBernhardt, Sarah
General
My Double Life: The Memoirs of Sarah Bernhardt
Bernhardt, Sarah
Actors -- France -- Biography; Bernhardt, Sarah, 1844-1923
Léontine was annoyed, and, shrugging her shoulders, turned her back on
my companion. She then put her hat on, kissed me, and bowing gravely to
Madame Petit, said: “I hope, Madame ‘Gros-tas,’ I shall never see you
again.” She then ran off, laughing merrily. I heard Madame Petit mutter
a few disagreeable words in Dutch, but the meaning of them was only
explained to me later on. We then went to the workshop, and found old
Massin at his bench, planing some small planks of white wood. His
hunchback daughter kept coming in and out, humming gaily all the time.
The father was glum and harsh, and had an anxious look. As soon as we
had ordered the box we took our leave. Madame Petit went out first;
Léontine’s sister held me back by the hand and said quietly, “Father is
not very polite, but it is because he is jealous. He wanted my sister to
be at the Théâtre Français.”
I was rather disturbed by this confidence, and I had a vague idea of the
painful drama which was acting so differently on the various members of
this humble home.
XI
MY DÉBUT AT THE HOUSE OF MOLIÈRE, AND MY FIRST DEPARTURE THEREFROM
On September 1, 1862, the day I was to make my _début_, I was in the Rue
Duphot looking at the theatrical posters. They used to be put up then at
the corner of the Rue Duphot and the Rue St. Honoré. On the poster of
the Comédie Française I read the words “_Début of Mlle. Sarah
Bernhardt_.” I have no idea how long I stood there, fascinated by the
letters of my name, but I remember that it seemed to me as though every
person who stopped to read the poster looked at me afterwards, and I
blushed to the very roots of my hair.
At five o’clock I went to the theatre. I had a dressing-room on the top
floor which I shared with Mlle. Coblentz. This room was on the other
side of the Rue de Richelieu, in a house rented by the Comédie
Française. A small covered bridge over the street served as a passage
and means of communication for us to reach the Comédie.
I was a tremendously long time dressing, and did not know whether I
looked nice or not. _Mon petit Dame_ thought I was too pale, and Mlle.
de Brabender considered that I had too much colour. My mother was to go
direct to her seat in the theatre, and Aunt Rosine was away in the
country.
Public-domain text, read in full here on John Shaqi.
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