My Double Life: The Memoirs of Sarah BernhardtBernhardt, Sarah
General
My Double Life: The Memoirs of Sarah Bernhardt
Bernhardt, Sarah
Actors -- France -- Biography; Bernhardt, Sarah, 1844-1923
I went downstairs again. The door was still ajar. With Caroline’s help I
carried the empty trunk up to Madame Guérard’s, and Caroline emptied my
wardrobe and drawers, and then packed the trunk. I shall never forget
that delightful moment. It seemed to me as though the world was about to
be mine. I was going to start off with a woman to wait on me. I was
about to travel alone, with no one to criticise what I decided to do. I
should see an unknown country about which I had dreamed, and I should
cross the sea. Oh, how happy I was! Twenty times I must have gone up and
down the staircase which separated our two flats. Every one was asleep
in my mother’s flat, and the rooms were so disposed that not a sound of
our going in and out could reach her.
My trunk was at last closed, Caroline’s valise fastened, and my little
bag crammed full. I was quite ready to start, but the fingers of the
clock had moved along by this time, and to my horror I discovered that
it was eight o’clock. Marguerite would be coming down from her bedroom
at the top of the house to prepare my mother’s coffee, my chocolate, and
bread and milk for my sisters. In a fit of despair and wild
determination I kissed Madame Guérard with such violence as almost to
stifle her, and rushed once more to my room to get my little Virgin
Mary, which went with me everywhere. I threw a hundred kisses to my
mother’s room, and then, with wet eyes and a joyful heart, went
downstairs. _Mon petit Dame_ had asked the man who polished the floors
to take the trunk and the valise down, and Caroline had fetched a cab. I
went like a whirlwind past the concierge’s door. She had her back turned
towards me and was sweeping the floor. I sprang into the cab, and the
driver whipped up his horse. I was on my way to Spain. I had written an
affectionate letter to my mother begging her to forgive me and not to be
grieved. I had written a stupid letter of explanation to Montigny, the
manager of the Gymnase Theatre. The letter did not explain anything,
though. It was written by a child whose brain was certainly a little
affected, and I finished up with these words: “Have pity on a poor,
crazy girl!”
Sardou told me later on that he happened to be in Montigny’s office when
he received my letter.
“The conversation was very animated, and when the door opened Montigny
exclaimed in a fury, ‘I had given orders that I was not to be
disturbed!’ He was somewhat appeased, however, on seeing old Monval’s
troubled look, and he knew something urgent was the matter. ‘Oh, what’s
happened now?’ he asked, taking the letter that the old stage manager
held out to him. On recognising my paper, with its grey border, he said,
‘Oh, it’s from that mad child! Is she ill?’
“‘No,’ said Monval; ‘she has gone to Spain.’
“‘She can go to the deuce!’ exclaimed Montigny. ‘Send for Madame
Dieudonnée to take her part. She has a good memory, and half the _rôle_
must be cut. That will settle it.’
“‘Any trouble for to-night?’ I asked Montigny.
Public-domain text, read in full here on John Shaqi.
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