My empress; twenty-three years of intimate life with the empress of all the Russias from her marriage to the day of her exileMouchanow, Marfa
History
My empress; twenty-three years of intimate life with the empress of all the Russias from her marriage to the day of her exile
Mouchanow, Marfa
Alexandra, Empress, consort of Nicholas II, Emperor of Russia, 1872-1918
In Czarskoi Selo she had a lovely room full of flowers where she had
her writing table, a wonderful specimen of French art of the time of
Louis XV. Next to it stood a smaller table, where she used to throw the
sheets she had just finished writing upon, until all her letters were
finished, when she would pick them up and put them in their envelopes.
This led her sometimes to mix up one letter with another, and brought
her into trouble through people getting missives which were not meant
for them. While Queen Victoria was alive the Empress wrote to her
regularly every week, but she did not much care for so doing, and used
to say that it was a duty she would rather not have had imposed upon
her. At Christmas and the New Year, she regularly sent her best wishes
to the other European sovereigns whom she knew personally.
In this room I have just described, which was hung up with light and
bright chintz, reminding one of an English room, and which contained
comfortable and at the same time costly furniture, the Empress
transacted only her private correspondence. All her official writing
was done in a small library opening out of her sitting-room, where
stood a large, ugly and practical writing table with innumerable
pigeonholes, at which she used to sit when her private secretary
presented to her his daily reports. It was at this table she made up
her accounts and attended to all her business, and it was also here
that she made out the programme for her public work, receptions, visits
to charitable institutions, and so forth. She was most orderly and
neat in her habits, and could tell at once where she had put such or
such a paper. I do not think that she could have tolerated disorder in
any shape or form around her, and she used to go through her numerous
drawers and wardrobes every month, when she expected to find every
single thing in the place where she had ordered it to be put. All
her laces, of which she had a wonderful collection, were kept in
a separate cupboard, of which I was the only person to have a key.
The Empress herself possessed a duplicate one, as she did of all her
trunks, wardrobes, and cupboards, and she clung to them like a real
German housewife, and sometimes would unexpectedly open one or the
other of these receptacles to assure herself that they were kept in
order. I remember an amusing instance of this mania. When the Empress
married, she received among her wedding presents a beautiful writing
table set in crystal and gold with her monogram and the Russian Eagle
on the top of the inkstand. For some years she always used it, until at
last one day the Emperor noticed that there was some inaccuracy in the
coat of arms of the Romanoffs which was ornamenting the blotting book,
and he instantly presented his wife with another and far handsomer
writing table set, a masterpiece of the skill of Faberge, the great
Court jeweller in St. Petersburg, which was made out of platinum and
crystal, with big turquoises as ornaments.
Public-domain text, read in full here on John Shaqi.
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