My First Book:: the experiences of Walter Besant, James Payn, W. Clark Russell, Grant Allen, Hall Caine, George R. Sims, Rudyard Kipling, A. Conan Doyle, M.E. Braddon, F.W. Robinson, H. Rider Haggard, R.M. Ballantyne, I. Zangwill, Morley Roberts, David Christie Murray, Marie Corelli, Jerome K. Jerome, John Strange Winter, Bret Harte, "Q.", Robert Buchanan, Robert Louis Stevenson, with an introduction by Jerome K. Jerome.Various
General
My First Book:: the experiences of Walter Besant, James Payn, W. Clark Russell, Grant Allen, Hall Caine, George R. Sims, Rudyard Kipling, A. Conan Doyle, M.E. Braddon, F.W. Robinson, H. Rider Haggard, R.M. Ballantyne, I. Zangwill, Morley Roberts, David Christie Murray, Marie Corelli, Jerome K. Jerome, John Strange Winter, Bret Harte, "Q.", Robert Buchanan, Robert Louis Stevenson, with an introduction by Jerome K. Jerome.
Various
Authors, English -- Biography; Authorship
NOTE.--Since writing the above I have been asked to state whether,
in my arrangements for publishing, I employ a 'literary agent' or
use a 'type-writer.' I do not. With regard to the first part of the
query, I consider that authors, like other people, should learn how
to manage their own affairs themselves, and that when they take a
paid agent into their confidence, they make open confession of
their business incapacity, and voluntarily elect to remain in
foolish ignorance of the practical part of their profession.
Secondly, I dislike type-writing, and prefer to make my own MS.
distinctly legible. It takes no more time to write clearly than in
spidery hieroglyphics, and a slovenly scribble is no proof of
cleverness, but rather of carelessness and a tendency to 'scamp'
work.
'_ON THE STAGE AND OFF_'
BY JEROME K. JEROME
The story of one's 'first book' I take to be the last chapter of one's
literary romance. The long wooing is over. The ardent young author has
at last won his coy public. The good publisher has joined their hands.
The merry critics, invited to the feast of reason, have blessed the
union, and thrown the rice and slippers--occasionally other things. The
bridegroom sits alone with his bride, none between them, and ponders.
The fierce struggle, with its wild hopes and fears, its heart-leapings
and heart-achings, its rose-pink dawns of endless promise, its grey
twilights of despair, its passion and its pain, lies behind. Before him
stretches the long, level road of daily doing. Will he please her to all
time? Will she always be sweet and gracious to him? Will she never tire
of him? The echo of the wedding-bells floats faintly through the
darkening room. The fair forms of half-forgotten dreams rise up around
him. He springs to his feet with a slight shiver, and rings for the
lamps to be lighted.
Ah! that 'first book' we meant to write! How it pressed forward an
oriflamme of joy, through all ranks and peoples; how the world rang with
the wonder of it! How men and women laughed and cried over it! From
every page there leaped to light a new idea. Its every paragraph
scintillated with fresh wit, deep thought, and new humour. And, ye
gods! how the critics praised it! How they rejoiced over the discovery
of the new genius! How ably they pointed out to the reading public its
manifold merits, its marvellous charm! Aye, it was a great work, that
book we wrote as we strode laughing through the silent streets, beneath
the little stars.
Public-domain text, read in full here on John Shaqi.
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