My First Book:: the experiences of Walter Besant, James Payn, W. Clark Russell, Grant Allen, Hall Caine, George R. Sims, Rudyard Kipling, A. Conan Doyle, M.E. Braddon, F.W. Robinson, H. Rider Haggard, R.M. Ballantyne, I. Zangwill, Morley Roberts, David Christie Murray, Marie Corelli, Jerome K. Jerome, John Strange Winter, Bret Harte, "Q.", Robert Buchanan, Robert Louis Stevenson, with an introduction by Jerome K. Jerome.Various
General
My First Book:: the experiences of Walter Besant, James Payn, W. Clark Russell, Grant Allen, Hall Caine, George R. Sims, Rudyard Kipling, A. Conan Doyle, M.E. Braddon, F.W. Robinson, H. Rider Haggard, R.M. Ballantyne, I. Zangwill, Morley Roberts, David Christie Murray, Marie Corelli, Jerome K. Jerome, John Strange Winter, Bret Harte, "Q.", Robert Buchanan, Robert Louis Stevenson, with an introduction by Jerome K. Jerome.
Various
Authors, English -- Biography; Authorship
'My dear Parent,' he begins in a tone that at once reverses our
positions, so that he becomes the monitor and I the wriggling
admonished; 'don't, I pray you, turn prig in your old age; don't sink
into the "superior person" who mistakes carping for criticism, and
jeering for judgment. Any fool can see faults, they lie on the surface.
The merit of a thing is hidden within it, and is visible only to
insight. And there is merit in me, in spite of your cheap sneers, sir.
Maybe I do not contain an original idea. Show me the book published
since the days of Caxton that does! Are our young men, as are the youth
of China, to be forbidden to think, because Confucius thought years ago?
The wit you appreciate now needs to be more pungent than the wit that
satisfied you at twenty; are you sure it is as wholesome? You cannot
smile at humour you would once have laughed at; is it you or the humour
that has grown old and stale? I am the work of a very young man, who,
writing of that which he knew and had felt, put down all things
truthfully as they appeared to him, in such way as seemed most natural
to him, having no thought of popular taste, standing in no fear of what
critics might say. Be sure that all your future books are as free from
unworthy aims.'
'Besides,' he adds, after a short pause, during which I have started to
reply, but have turned back to think again, 'is not this talk idle
between you and me? This apologetic attitude, is it not the cant of the
literary profession? At the bottom of your heart you are proud of me, as
every author is of every book he has written. Some of them he thinks
better than others; but, as the Irishman said of whiskies, they are all
good. He sees their shortcomings. He dreams he could have done better;
but he is positive no one else could.'
His little twinkling eyes look sternly at me, and, feeling that the
discussion is drifting into awkward channels, I hasten to divert it, and
we return to the chat about our early experiences.
I ask him if he remembers those dreary days when, written neatly in
round hand on sermon paper, he journeyed a ceaseless round from
newspaper to newspaper, from magazine to magazine, returning always
soiled and limp to Whitfield Street, still further darkening the ill-lit
room as he entered. Some would keep him for a month, making me indignant
at the waste of precious time. Others would send him back by the next
post, insulting me by their indecent haste. Many, in returning him,
would thank me for having given them the privilege and pleasure of
reading him, and I would curse them for hypocrites. Others would reject
him with no pretence at regret whatever, and I would marvel at their
rudeness.
Public-domain text, read in full here on John Shaqi.
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