at least of physical and moral endurance and the courage of Ajax. [Illustration: drawing by A. S. Boyd signed: Sincerely yours, Robert Louis Stevenson] [Illustration: MR. STEVENSON'S HOUSE IN SAMOA] In the fated year I came to live with my father and mother at Kinnaird, above Pitlochry. Then I walked on the red moors and by the side of the golden burn; the rude, pure air of our mountains inspirited, if it did not inspire us, and my wife and I projected a joint volume of logic stories, for which she wrote 'The Shadow on the Bed,' and I turned out 'Thrawn Janet' and a first draft of 'The Merry Men.' I love my native air, but it does not love me; and the end of this delightful period was a cold, a fly-blister, and a migration by Strathairdle and Glenshee to the Castleton of Braemar. There it blew a good deal and rained in a proportion; my native air was more unkind than man's ingratitude, and I must consent to pass a good deal of my time between four walls in a house lugubriously known as the Late Miss McGregor's Cottage. And now admire the finger of predestination. There was a schoolboy in the Late Miss McGregor's Cottage, home from the holidays, and much in want of 'something craggy to break his mind upon.' He had no thought of literature; it was the art of Raphael that received his fleeting suffrages; and with the aid of pen and ink and a shilling box of water colours, he had soon turned one of the rooms into a picture gallery. My more immediate duty towards the gallery was to be showman; but I would sometimes unbend a little, join the artist (so to speak) at the easel, and pass the afternoon with him in a generous emulation, making coloured drawings. On one of these occasions, I made the map of an island; it was elaborately and (I thought) beautifully coloured; the shape of it took my fancy beyond expression; it contained harbours that pleased me like sonnets; and with the unconsciousness of the predestined, I ticketed my performance 'Treasure Island.' I am told there are people who do not care for maps, and find it hard to believe. The names, the shapes of the woodlands, the courses of the roads and rivers, the prehistoric footsteps of man still distinctly traceable up hill and down dale, the mills and the ruins, the ponds and the ferries, perhaps the _Standing Stone_ or the _Druidic Circle_ on the heath; here is an inexhaustible fund of interest for any man with eyes to see or twopence worth of imagination to understand with! No child but must remember laying his head in the grass, staring into the infinitesimal forest and seeing it grow populous with fairy armies. Somewhat in this way, as I paused upon my map of 'Treasure Island,' the future character of the book began to appear there visibly among imaginary woods; and their brown faces and bright weapons peeped out upon me from unexpected quarters, as they passed to and fro, fighting and hunting treasure, on these few square inches of a flat projection.