'Treasure Island'--it was Mr. Henderson who deleted the first title, 'The Sea Cook'--appeared duly in the story paper, where it figured in the ignoble midst, without woodcuts, and attracted not the least attention. I did not care. I liked the tale myself, for much the same reason as my father liked the beginning: it was my kind of picturesque. I was not a little proud of John Silver, also; and to this day rather admire that smooth and formidable adventurer. What was infinitely more exhilarating, I had passed a landmark; I had finished a tale, and written 'The End' upon my manuscript, as I had not done since 'The Pentland Rising,' when I was a boy of sixteen not yet at college. In truth it was so by a set of lucky accidents: had not Dr. Japp come on his visit, had not the tale flowed from me with singular ease, it must have been laid aside like its predecessors, and found a circuitous and unlamented way to the fire. Purists may suggest it would have been better so. I am not of that mind. The tale seems to have given much pleasure, and it brought (or was the means of bringing) fire and food and wine to a deserving family in which I took an interest. I need scarcely say I mean my own. [Illustration: STEVENSON TELLING 'YARNS'] But the adventures of 'Treasure Island' are not yet quite at an end. I had written it up to the map. The map was the chief part of my plot. For instance, I had called an islet 'Skeleton Island,' not knowing what I meant, seeking only for the immediate picturesque, and it was to justify this name that I broke into the gallery of Mr. Poe and stole Flint's pointer. And in the same way, it was because I had made two harbours that the 'Hispaniola' was sent on her wanderings with Israel Hands. The time came when it was decided to republish, and I sent in my manuscript, and the map along with it, to Messrs. Cassell. The proofs came, they were corrected, but I heard nothing of the map. I wrote and asked; was told it had never been received, and sat aghast. It is one thing to draw a map at random, set a scale in one corner of it at a venture, and write up a story to the measurements. It is quite another to have to examine a whole book, make an inventory of all the allusions contained in it, and with a pair of compasses, painfully design a map to suit the data. I did it; and the map was drawn again in my father's office, with embellishments of blowing whales and sailing ships, and my father himself brought into service a knack he had of various writing, and elaborately _forged_ the signature of Captain Flint, and the sailing directions of Billy Bones. But somehow it was never 'Treasure Island' to me.