It is very well for the master craftsman with twenty triumphs behind him to look down the vista of his successes, and to recall how he picked out the path which has led him to fame, but for the tiro whose first book is perilously near to his last one it becomes a more invidious matter. His past presses too closely upon his present, and his reminiscences, unmellowed by the flight of years, are apt to be rawly and crudely personal. And yet even time helps me when I speak of my first work, for it was written seven-and-twenty years ago. [Illustration: I WAS SIX] I was six at the time, and have a very distinct recollection of the achievement It was written, I remember, upon foolscap paper, in what might be called a fine bold hand--four words to the line, and was illustrated by marginal pen-and-ink sketches by the author. There was a man in it, and there was a tiger. I forget which was the hero, but it didn't matter much, for they became blended into one about the time when the tiger met the man. I was a realist in the age of the Romanticists. I described at some length, both verbally and pictorially, the untimely end of that wayfarer. But when the tiger had absorbed him, I found myself slightly embarrassed as to how my story was to go on. 'It is very easy to get people into scrapes, and very hard to get them out again,' I remarked, and I have often had cause to repeat the precocious aphorism of my childhood. On this occasion the situation was beyond me, and my book, like my man, was engulfed in my tiger. There is an old family bureau with secret drawers, in which lie little locks of hair tied up in circles, and black silhouettes and dim daguerreotypes, and letters which seem to have been written in the lightest of straw-coloured inks. Somewhere there lies my primitive manuscript, where my tiger, like a many-hooped barrel with a tail to it, still envelops the hapless stranger whom he has taken in. [Illustration: ON THE PRAIRIES AND THE OCEANS] Then came my second book, which was told and not written, but which was a much more ambitious effort than the first. Between the two, four years had elapsed, which were mainly spent in reading. It is rumoured that a special meeting of a library committee was held in my honour, at which a bye-law was passed that no subscriber should be permitted to change his book more than three times a day. Yet, even with these limitations, by the aid of a well-stocked bookcase at home, I managed to enter my tenth year with a good deal in my head that I could never have learned in the class-rooms. [Illustration: MY DÉBUT AS A STORY-TELLER]