My Friend the ChauffeurWilliamson, C. N. (Charles Norris)
General
My Friend the Chauffeur
Williamson, C. N. (Charles Norris)
Automobiles -- Fiction; Europe -- Fiction; Voyages and travels -- Fiction
Beechy thought the dragon a delightful beast, with a remarkable eye for
the picturesque, judging from the way in which he had arranged the
remains of his victims; and she was sorry for him, dragged into the
market-place, so pitifully shrunken, beaten, and mortified was he. She
wanted to live in all the mediaeval castles of the picture-backgrounds,
and was of opinion that the basilisk's real intentions had been
misunderstood by the general public of his day. "I should love to have
such a comic, trotty beast to lead about in Central Park," said she.
"Why the octopi that the people cook and sell in the streets here now,
are ever so much horrider. One might run away from them, if you like.
Loathsome creatures! I do draw the line at an animal whose face you
can't tell from its--er--waist. And only think of _eating_ them! I'd a
good deal rather eat a basilisk."
Beechy was also convinced--before she crossed the Bridge of Sighs--that
many people, especially Americans, would pay large sums or even commit
crimes, in order to be put in prison at Venice. "Such a lovely
situation," she argued, "and lots of historical associations too." But
afterwards, when she had seen where Marino Faliero lay, and the young
Foscari, she was inclined to change her mind. "Still," she said, "it
would be an experience; and if you couldn't afford to stop at a hotel,
it might be worth trying, if you didn't have to do anything very bad,
and were sure of getting a cell on the canal."
Neither Beechy nor Aunt Kathryn cared much for the churches or the
pictures, so they and Sir Ralph bargained for Venetian point or the lace
of Burano, or went to the glass makers', or had tea at the Lido with the
Corraminis, while Mr. Barrymore took me to the Frari, the Miracoli, and
other churches that he loved best, or wandered with me among the
glorious company of artists at the Accademia, and in the Doges' Palace.
But Beechy did join in my admiration and respect (mingled with a kind of
wondering pity) for the noble army of marble lions in Venice.
Oh, those poor, splendid lions! How sad they look, how bitter is the
expression of their ponderous faces. Especially am I haunted by the
left-hand lion in the Piazza degli Lioni, hard by San Marco. What can
have happened to him, that he should be so despairing? Whatever it was,
he has never got over it, but has concentrated his whole being in one,
eight-century-long howl ever since. He is the most impressive of the
tribe; but there are many others, big and little, all gloomy, sitting
about in Piazzas, or exposed for sale in shops, or squatting on the
railings of balconies. When I think of that fair city in the sea, I
shall often want to run back and try to comfort some of those lions.
Beechy was with me in this; and as for Aunt Kathryn, even the flattering
attentions of the Corraminis did not please her more than our experience
at the antiquaries', which we owed to Mr. Barrymore.
Public-domain text, read in full here on John Shaqi.
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