Kentucky -- Fiction; Self-actualization (Psychology) in women -- Fiction
Theodosia heard the song without surprise, heard the strange quality
of the singing as it rang and hollowed broadly under the great beech
trees along the creek. Here the cries of the birds were the more broadly
dispersed as tone, richly amplified. The children were, in general,
attentive to their lessons and eager to progress, to atone for their long
vacation. If they were dull, Theodosia, in her distress at this, played
for them on the fiddle. The day little Johnnie Turner could not learn
to spell “hitching” she played a _Romance_ and an _Adagio_, a pensive
wailing, until all the children were happy and they leaned forward on
their desks, a-tiptoe, to hear. She heard their song game while she sat
under the beech tree at noon not far from Susan’s nag, not far from old
Oscar’s hens, she eating her lunch, the food some village wife had
prepared for her. The names the children called as they walked away,
beginning conversations, lay out under the great beeches as aliens, as
belonging to the farms up the valley, and she accepted the names for
tone without questioning the owner as to whether he were man or child or
woman—the names, Shirley Bond, Betty Hawthorne, Rose Hines, Lum Brown.
The little girls were equal in importance, none seeming to dominate the
rest, the child, Sallie West, always giving, supplying the others, making
the others safe or comfortable at the game, a talkative child. A voice
said one day, receding down to the end of the playground where the little
children kept, “Betty Hawthorne has got a blue ribbon,” or another said
again, “Mollie has got a silver cup.” There were rainy days when the
beech trees dripped their dejected wet. Sometimes she called the children
to their books by playing a jig. They had their sayings; they would talk
of leaving kisses in the drinking dipper, or they called water left in
the dipper after one had drunk “slobbers.” “Let me have your slobbers,”
a little boy said to his favorite among the girls. Or another, “I bid
for Susan’s slobbers.” Susan and Sallie were the West girls; they came
from the top of the valley, Susan a strong, well-rounded girl, misty
and vague with her first flowering, neither child nor woman. “She takes
after Mammy,” Sallie said. “She’s a liven image of....” she called some
strange name. They liked to dwell upon whom they took after, each child
designating himself and trying to discover himself. The lessons in the
books were remote from them, were unknown gods to be appeased with
offerings of study. Their learnings were ceremonials far apart from their
richer flow of living. They measured their height at a door-post and
compared this year with last, and they watched one another. Their words,
coming to her from the end of a game, while they sat to rest:
“What color is Betty Hawthorne’s hair?”
“It’s red.”
“It is not so.”
“It’s brown and red mixed. I looked close at it one time.”
“Roan color is what it is. I heard my pap say one time it was roan color.”
Public-domain text, read in full here on John Shaqi.
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