One morning when she came to the school she saw that the little children were huddled together before the coalhouse at the back of the yard as if they were afraid, clustered together as fowls afraid of a hawk. Two larger boys played with a ball along the creekside. When she went inside she found the blackboards and walls written over with obscene words, her name among them. The little children had been inside the house to leave their books and their food, but she knew that they had not written on the walls, and that it was unlikely that the boys throwing the ball before the creek had written. She erased the words slowly, carefully, without anger, thinking of how they belonged to the entire country, valley and upland and the farms beyond, the town, all towns and cities. They belonged to Thad and his wisdoms and gallantries, himself stepping about his store quickly to get her yards of cloth wrapped into a neat yellow bundle. They belonged to Anne Sawyer and her unborn child and to Johnnie Turner weeping over his multiplication tables, and to the man Caleb Burns riding down from the upper fields on his neat horse with three white feet, as much to Caleb Burns as if he had written them himself, and equally to Mary Judson holding her last infant to her great bosom. She erased the words, seeing them, unafraid of them. They named the excretions of the body and the acts of excretion, she observed. If one is to name the discharges of the body he should name them all, she thought, looking at the last of the words as she erased. Name them all, slighting none. Among these words should be written the omitted word, a true juice of the human frame, _tear_. Spelled with four letters, as were the other words, she ruminated, belonging with the others entirely. Let the boy, whoever he was, who wrote for the whole people of the community, let him write the last word; he would write it in time, this supreme juice from the body of man, the point where he stands above himself, where he outdoes the cattle.