Kentucky -- Fiction; Self-actualization (Psychology) in women -- Fiction
Is my name written there,
On that page white and fair....
Milk cows ought to have a legume hay, clover, alfalfa, or maybe peas or
soy beans. But sorghum hay can be used, but then the grain feed will have
to be more liberal. The leaves make a pleasant coolness when they fan the
night air and the nightjars dart through the sky with opened mouths to
drain the insects out of the dark. The mid-summer insects were crying a
week ago and the longest day in the year has passed. The voices below,
speaking forth and back:
“What year did Jones run for Congress, now?”
“About ninety-nine or ninety-eight.”
“Jones? No, about ninety-two that was. I’ll tell you for why I think
so....”
“It was eighteen ninety-six,” Midi said. “Eighteen ninety-six it was and
no mistakes made.”
“Before ninety-six, I’ll bet my last dollar on it. I’m under a doubt that
it was as late as that, Midi.”
“It was ninety-six. I know. It was the same year Rowena was borned. I
have a way of knowen. I recall. We all know what year Rowena was borned
in. How old are you, Rowena? Just ask Rowena how old she is and you get
the answer to how long it’s been.”
“I’m nineteen now.”
“Nineteen. That’s how long it’s been. Ninety-six, it was.”
* * * * *
She would not go to look at his cattle although Midi invited her,
offered to take her there. The harvesters came to the wheat, and the
cut field, laid up in orderly bundles, row after row, was increased in
size, multiplied or enhanced by the elasticity of lines spreading two
ways over a rolling land. The harvest hands were lusty feeders, sitting
heartily to the food Midi and Rowena and Susan prepared, pouring great
goblets of soured milk from the tall white pitcher or helping themselves
again to the roasted meat that was piled high on the platter. Some voice
at the cattle barns beyond the road and the pasture sang from mid-summer
forward. Sallie found two saddles for as many old brood mares that were
unemployed in the fields, and she and Theodosia rode back through the
farm paths into remote land and explored a tangle of twiggy glades to
find the spring that gave the first water to Spring Run, and they lay
to rest all through the heat of the day in the cool woodland. The oat
harvest followed the wheat, the voice at the distant barn singing now and
then, Caleb Burns singing over the heads of his cattle, some phrase as
“We’re marching to Zion, beautiful, beautiful Zion,” phrases that intoned
well before the great barn and fitted well to the voice as it hollowed
richly before the resonant walls, the lay of the hills lending assistance.
We’re marching upward to Zion,
The beautiful city of God....
Public-domain text, read in full here on John Shaqi.
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