Kentucky -- Fiction; Self-actualization (Psychology) in women -- Fiction
“No, not Betty Hawthorne. No. A sprig of hawthorn flower in the spring
from the bushes at the top of the pasture, or a handful of bright red
haws in the fall. I’ll string a string of beads out of them, or I’ll eat
the little haw-apples. A handful of haws.”
“Betty Hawthorne, I aim to give you, if you’ll be so good as to take her.
The finest cow I ever owned, and the prettiest. Sister to Princess, full
sister, and half-sister to Queen. She’s taken three premiums at the state
fair and not yet come to her prime. If you’ll be so good as to take her.”
She reheard the argument, their voices falling together, one over
the other or waiting for a reply, one voice for a moment stilled but
answering in turn with swifter fervor. “Whenever I touch you,” his
voice making the saying, “I have to take a deeper breath to accommodate
the new life that’s grown in me.” He had marks—what kind of marks? she
questioned—beside his mouth. They were deep marks, put there by a woman,
or perhaps they had been put there by the cows in their failures to
fulfil the promises he devised for them.
Then she remembered hell. A clear sharp memory, acutely realized, the
more acutely realized in that it fell in this moment of pleasure. Self
appeared, saturated with memory-realization, herself subtracted from the
earth and elevated to a pinnacle of searching, her body hungering, seeing
itself slipping into decay. All the disconnections operating, everything
was lost then but Frank. Frank in her hands and her fingers, her
shoulders, her name, her sight, her sleep. Pure and excruciating distress
shook her as if it were a chill and she called to her grandfather,
Anthony Bell, but when she was more quiet again, the memory receding, she
called in mind the newer name.
She heard the noises of the night, the treefrogs and crickets, the frogs
at the wet place beyond the milk house. The frogs set themselves against
the night as if to saw a hole into the dark, but when they were done
there was a season of quiet. The night was warm and the people indoors
slept noisily, their breathing and their sighs in sleep a protest against
the heat. She heard them faintly as they moved or threshed at their
beds or sucked inward at the hot close air. Outside the purity of the
night spread over the cut fields and the cows were laid down on the open
pasture-top near the ragged tree. Steps came off the farther slope, man’s
steps, sublimated and hollowed by the distance, feet walking through the
grass, about the barns, off to the farther end of the pasture. They were
lost then and denied as being delusion, an impossible. The night was warm
and all but herself were asleep, drugged by the heat indoors. She saw
them laid out to sleep or crumpled into relaxed postures, in their beds,
up and down the countryside, from farm to farm, abstracted, a man asleep.
Man lies down to rest, but the cows rest half kneeling, their crumpled
forefeet ready to arise. She saw Caleb Burns asleep.
Public-domain text, read in full here on John Shaqi.
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